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the oxford essensial guide to writing phần 3 docx

the oxford essensial guide to writing phần 3 docx

the oxford essensial guide to writing phần 3 docx

... pirates in the Mediterranean than inall the other waters put together. In the Mediterranean they had the most part of the trade of Europe for their quarry; while the coastsof Africa, and the islands ... accustomed to the law and order of the presentday to understand the dangers which threatened the Jacobean trav-eller. The seas swarmed with pirates; so that few merchantmendared to put to sea ... rather around the specific differences that setthem at war: The Catholic believed in the authority of the Church; the Reformer,in the authority of reason. Where the Church had spoken, the...
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the oxford essensial guide to writing phần 2 docx

the oxford essensial guide to writing phần 2 docx

... large firms, they are commit-ted to their careers and eager to move ahead.They live together. They say they are in love, and they seem to be. But they are cool about it, and about the possibility ... that the businessof the storyteller is to ask questions, not to answer them. Thattruth applies sometimes to the essayist, who may wish to sug-gest a judgment rather than to formulate one. The ... out on their own. Theylive together; they say they are in love,64 THE ESSAYHere the effectiveness of closing with the death scene isreinforced by the careful construction of the last sentence,which...
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the oxford essensial guide to writing phần 10 potx

the oxford essensial guide to writing phần 10 potx

... 299Carter, Hodding, 70, 112, 1 63, 279, 30 5, 33 3, 39 3Catton, Bruce, 31 1Cherry, Colin, 2 13 Chesterton, G. K., 57, 72, 139 , 141,176,180,207,216,221,264,297, 32 6, 33 1, 428Collingwood, Robin ... 36 2similes in, 36 1subjective, 35 5 ffDiacritics, 431 Diction, 241 ffrepetitious, 278unusual, 32 5 ffDictionaries, 33 6 ffgeneral, 33 6 ffthesauri, 33 9unabridged, 33 8Direct question, 38 4Directive ... 139 genus-species, 134 illustrative, 137 legislative, 133 metaphors in, 138 negative, 139 nominal, 132 paired, 139 real, 132 semantic, 140similes in, 138 stipulative, 133 synonymous, 136 techniques of, 134 Denotation,...
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the oxford essensial guide to writing phần 9 potx

the oxford essensial guide to writing phần 9 potx

... down to the depthSTOPS 39 9optional between the final coordinated pair, the choice de-pending on the preference of the writer or the policy of aneditor. The first of these examples uses the ... the steps before THE HUMAN FACTORY, where little robotsgathered and shoveled the food from chamber to chamber of the body. They had put me out into the streets, I thought to myself; withtheir ... the pots, and (3) the fixing of the lids onto the jars. Notice,too, the long sentence in the fourth paragraph; it uses parallelverbs to analyze the filler's movements.STOPS 39 1following...
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the oxford essensial guide to writing phần 8 pot

the oxford essensial guide to writing phần 8 pot

... summoning all to prayfor the SOLlls of the dead. Morris BishopImages can appeal to other senses: to smell, taste, touch,even to the muscular sense of movement and balance (thesewake1 ... transitive verb meaning to clothe, to rlrocc 32 0 DICTION The people for miles around Hiroshima, in the fields, in the mountains, and on the bay, saw a light that was brilliant even in the SUn, and felt ... English).DefinitionsThese are divided into the senses of the verb and of the noun. The former, in turn, are distinguished for both the intransitiveand transitive uses of the verb. Within each category the vari-ous...
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the oxford essensial guide to writing phần 7 ppt

the oxford essensial guide to writing phần 7 ppt

... uncommon words to draw attention284 DICTIONNucleonics investigates the smaller particles that go to make up the nucleus of the atom.BETTER: . that make up the nucleus of the atom.A special ... deal about such drifters: their lackof will and purpose, the futility with which they float throughlife, their incapacity to anchor themselves to anything solid,their inevitable and unmarked ... "fist"—and applies each of these to Cape Cod. At the same time he expands the metaphor into the larger inclu-sive image of the boxer—"back," "feet," "other fist,""breast"—connecting...
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the oxford essensial guide to writing phần 6 pptx

the oxford essensial guide to writing phần 6 pptx

... all these cases the writers select words for their refer-ential value, to make clear what is in their minds. The histo-rian, aiming to be factually accurate, and the philosopher,aiming to be ... elegance, the name is intended to overcome masculine resistance to toilet-ries as "sissy" (or perhaps to appeal to women, who buy mostof these products for their men). 3 Emotionally ... anend—enabling readers to comprehend your observations,ideas, feelings, and affecting their responses both to the topicand to you in ways that you wish. To the degree that it fails to achieve your...
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the oxford essensial guide to writing phần 5 ppsx

the oxford essensial guide to writing phần 5 ppsx

... with.CONCISE These ideas are already old-fashioned, infrequentlymet with.WORDY The women of the settlement would gather together atone home to work on the quilt. They would bring theirchildren with them ... and spend the entire day, chattinggaily as they worked.CONCISE The women of the settlement would gather together atone home to work on the quilt, bringing their childrenand spending the entire ... resumed and be able to put the pieces together. Usedsparingly, the long convoluted sentence has the virtue of the unusual: it draws attention to itself and, more important, to what it says, and...
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the oxford essensial guide to writing phần 4 potx

the oxford essensial guide to writing phần 4 potx

... proof—these are among the constants, the themes of the Story. Elizabeth BowenNotice how Bowen uses these to sum up all the precedingnouns and to act as the subject of the sentence. (These, ... happens in that sentence is that the accumulation isgathered between dashes and intrudes into the middle of the main sentence ("When they sat for a photograph together it was a portrait not ... and the road was whiteand dusty.There is movement here, involving both the scene and the sense by which we perceive it: we feel the heat, see the sky,lower our eyes to gaze down the road. The...
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