Tài liệu Mastering Photoshop CS3 for Print Design and Production P1 pdf

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Mastering Photoshop ® CS3 for Print Design and Production Ted LoCascio Wiley Publishing, Inc. 14576ffirs.qxd 6/1/07 7:49 PM Page i 14576ffirs.qxd 6/1/07 7:49 PM Page viii Mastering Photoshop ® CS3 for Print Design and Production Ted LoCascio Wiley Publishing, Inc. 14576ffirs.qxd 6/1/07 7:49 PM Page i Acquisitions Editor: Pete Gaughan Development Editor: Doug Nelson Technical Editor: Walt Dietrich Production Editor: Sarah Groff-Palermo Copy Editor: Sharon Wilkey Production Manager: Tim Tate Vice President and Executive Group Publisher: Richard Swadley Vice President and Executive Publisher: Joseph B. Wikert Vice President and Publisher: Neil Edde Media Project Supervisor: Laura Atkinson Media Development Specialists: Josh Frank and Angie Denny Media Quality Assurance: Kit Malone Book Designers: Maureen Forys, Happenstance Type-O-Rama and Judy Fung Compositor: Maureen Forys, Happenstance Type-O-Rama Proofreader: Nancy Riddiough Indexer: Ted Laux Anniversary Logo Design: Richard Pacifico Cover Designer: Ryan Sneed Cover Image: © Pete Gardner / Digital Vision / gettyimages Copyright © 2007 by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada ISBN: 978-0-470-11457-5 No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions . Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation war- ranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Website is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Website may provide or recommendations it may make. Further, readers should be aware that Internet Websites listed in this work may have changed or disappeared between when this work was written and when it is read. For general information on our other products and services or to obtain technical support, please contact our Customer Care Depart- ment within the U.S. at (800) 762-2974, outside the U.S. at (317) 572-3993 or fax (317) 572-4002. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Library of Congress Cataloging-in-Publication Data is available from the publisher. TRADEMARKS: Wiley, the Wiley logo, and the Sybex logo are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates, in the United States and other countries, and may not be used without written permission. Photoshop is a regis- tered trademark of Adobe Systems Incorporated. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book. 10 9 8 7 6 5 4 3 2 1 14576ffirs.qxd 6/1/07 7:49 PM Page ii Dear Reader Thank you for choosing Mastering Photoshop CS3 for Print Design and Production. This book is part of a family of premium quality Sybex graphics books, all written by outstanding authors who combine practical experience with a gift for teaching. Sybex was founded in 1976. More than thirty years later, we’re still committed to producing consistently exceptional books. With each of our graphics titles we’re working hard to set a new standard for the industry. From the paper we print on, to the writers and artists we work with, our goal is to bring you the best graphics books available. I hope you see all that reflected in these pages. I’d be very interested to hear your comments and get your feedback on how we’re doing. Feel free to let me know what you think about this or any other Sybex book by sending me an e-mail at nedde@wiley.com , or if you think you’ve found an error in this book, please visit http://wiley.custhelp.com . Customer feedback is critical to our efforts at Sybex. Best regards, Neil Edde Vice President and Publisher Sybex, an Imprint of Wiley 14576ffirs.qxd 6/1/07 7:49 PM Page iii For my son, Enzo, whom I can never take enough pictures of 14576ffirs.qxd 6/1/07 7:49 PM Page iv Acknowledgments First and foremost, I must thank everyone at Sybex and John Wiley & Sons for making this book possible. Thanks to publishers Neil Edde and Dan Brodnitz and to acquisitions editor Pete Gaughan for sharing my vision on this project and for being as genuinely enthusiastic about Photoshop as I am. Thanks also to developmental editor Doug Nelson for helping me organize this title and paying such close attention to the details, and to Walt Dietrich for acting as my tech- nical editor and making sure every step, shortcut, and tip is correct. Thank you to Dr. Taz Tally for his extensive contributions to the manuscript. Special thanks to my copyeditor, Sharon Wilkey, for making this book read as well as it does. I must also thank my production editor, Sarah Groff-Palermo, for working with me on the book’s schedule and keeping everything on track. I would also like to thank compositor Maureen Forys for doing such a great job of laying out the book. Loving thanks to my wife, Jill, and to my son, Enzo, for being so patient while I was busy writ- ing this book. Thanks also to Mom, Dad, Val, Bob and Evelyn Innocenti, and the rest of my extended family for being so supportive. I must also thank Lynda Weinman, Michael Ninness, Garo Green, Tanya Staples, Chris Mattia, and the rest of the wonderful staff at Lynda.com for allowing me to be a part of their excellent online instructor team and for being so much fun to work with. I would also like to thank CreativePro.com and the InDesign Magazine staff, especially Terri Stone and David Blatner. Special thanks also go out to Barry Anderson and all of the instructors and staff at the Adobe CS Conference. Thanks also to Photospin.com for allowing me to use their images in this book. And of course, thanks to Adobe for making such great software to write about. 14576ffirs.qxd 6/1/07 7:49 PM Page v About the Author Ted LoCascio is a professional graphic designer and an expert in Photoshop, Photoshop Elements, InDesign, Illustrator, and QuarkXPress. He served as senior designer at KW Media and the National Association of Photoshop Professionals (NAPP) for several years, and has created lay- outs and designs for many successful software training books, videos, and magazines. Ted is the author of InDesign CS2 at Your Fingertips, The InDesign Effects Book, and Combining Images with Photoshop Elements. He has contributed articles to Photoshop User magazine, InDesign Magazine, and Creativepro.com, and has taught at Photoshop World. Ted is also the video author of InDesign CS2 Essential Training, Font Management, Illustrator CS2 Creative Techniques, Creative Suite 2 Integration: Print Project Workflow, Getting Started with Quark Interactive Designer, and Bridge and Version Cue CS3 Essential Training—all available at Lynda.com. And he teaches a digital graph- ics course at St. Petersburg College in Seminole, Florida. A graphic designer for more than 10 years, Ted’s designs and illustrations have been featured in several national newsstand and trade magazines, such as Photoshop User, Mac Design Magazine, Nikon’s Capture User, Great Output, AAA Going Places, and Florida Trend. As a professional designer, he has used Adobe software to create layouts for magazines, books, and various adver- tising and marketing materials, including brochures, product packaging, posters and signs, and interactive PDFs. A Chicago native (born a hopeless Cubs fan) and Columbia College alumnus, Ted relocated to the Tampa Bay area in 1994. He currently resides in Tarpon Springs, Florida, with his wife, Jill, and their son, Enzo. 14576ffirs.qxd 6/1/07 7:49 PM Page vi Contents at a Glance Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .xv Chapter 1 • Getting Started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1 Chapter 2 • Making Good Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45 Chapter 3 • Working with Brushes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101 Chapter 4 • Working with Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .129 Chapter 5 • Tonal and Color Corrections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .163 Chapter 6 • Enhancing and Retouching for Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .203 Chapter 7 • Combining Image Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .249 Chapter 8 • Layer Styles and Filter Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .299 Chapter 9 • Reducing Noise and Sharpening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .335 Chapter 10 • Editing in Camera Raw . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .381 Chapter 11 • CS3 Integration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .433 Chapter 12 • Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .473 Chapter 13 • Saving, Printing, and Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .497 Appendix • The Bottom Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .539 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .557 14576ffirs.qxd 6/1/07 7:49 PM Page vii [...]... can help get you up and running with Photoshop CS3 Along the way, you’ll also learn about the new features in CS3 that matter most to print designers In this chapter, you will learn to: ◆ Set up your preferences for print design/ production ◆ Create and save a print design/ production workspace ◆ Customize menus and keyboard shortcuts ◆ Choose the proper color settings for a print production workflow... straightforward (and demanding) is to start at the beginning and follow all the steps to mastering Photoshop CS3 for print design and production Alternatively, you can skip around from chapter to chapter and follow only the steps for the individual chapters For this, I have included project files on the accompanying CD, where you can find the appropriate image files for the lessons in each chapter and. .. Covered in This Book Mastering Photoshop CS3 for Print Design and Production is organized to provide you with easy answers to all your image-editing print design questions Here is a brief description of what each chapter covers: Chapter 1: Getting Started shows you how to set up your preferences, arrange your workspace, and choose the proper color settings for print design and production This chapter... application for print designers and production artists In fact, those of us in the print and publishing fields have become so dependent on Photoshop that it’s hard to imagine life without it In the early days of Photoshop, it was considered primarily a tool for graphic designers (ah…the good old days) But with the advent of digital photography, and the development of web and multimedia design, Photoshop s... production workflow ◆ Save images at the proper print resolution What’s New in CS3 There’s a lot for print designers and production artists to be excited about in Photoshop CS3 Adobe has added several new features that can greatly enhance your print/ production workflow Here’s a quick rundown of some of the best new features for print designers New Interface The new CS3 interface is more flexible than any other... this book, and the chapter lessons can provide them with new ways to work in a fast-paced production environment ◆ Highly motivated students who might be new to both Photoshop and the field of print design and production These are the people who will be picking the bones of this book The intent is to supply these readers with all they need to use Photoshop efficiently for print design and production. .. The Mastering Series The Mastering series from Sybex provides outstanding instruction for readers with intermediate and advanced skills, in the form of top-notch training and development for those already working in their field and clear, serious education for those aspiring to become pros Every Mastering book features the following: ◆ The Sybex “by professionals for professionals” commitment Mastering. .. to again and again for answers to all your print design questions and you won’t have to wade through pages and pages of unrelated (and unwanted) material My hopes are that you will come to rely on this resource almost as much as you do on Photoshop Who Should Read This Book As the title implies, this book is intended for designers seeking to master their print graphic editing skills and expand their... History States field being relocated to the Performance panel, there’s nothing new in the General preference panel for CS3 (shown back in Figure 1.7) However, there are several options here that are worth noting when using Photoshop for print design and production 14576c01.qxd 6/1/07 7:54 PM Page 7 PREFERENCES FOR PRINT DESIGNERS Figure 1.7 Panel directory The CS3 Preferences dialog box Automatically Launch... tools and information you need for your work Please check their website at www.sybex.com, where we’ll post additional content and updates that supplement this book if the need arises Search for photoshop for print (or type the book’s ISBN—9780470114575) to get to the book’s update page 14576c01.qxd 6/1/07 7:54 PM Page 1 Chapter 1 Getting Started Before you start using Photoshop to edit images for print . beginning and follow all the steps to mastering Photoshop CS3 for print design and production. Alternatively, you can skip around from chapter to chapter and. need to use Photoshop efficiently for print design and production. There are several ways you can use this book. The most straightforward (and demanding) is
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