Adobe® photoshop® CC help

960 870 0
Adobe® photoshop® CC help

Đang tải... (xem toàn văn)

Tài liệu hạn chế xem trước, để xem đầy đủ mời bạn chọn Tải xuống

Thông tin tài liệu

Adobe® Photoshop® CC Help Legal notices Legal notices For legal notices, see http://help.adobe.com/en_US/legalnotices/index.html Last updated 2/2/2018 iii Contents Chapter 1: Introduction to Photoshop New features summary Create documents 18 System requirements | Photoshop 26 Migrate presets, actions, and settings 32 System requirements | Older versions of Photoshop 36 Chapter 2: Photoshop and Adobe services Photoshop and Adobe Stock 51 Creative Cloud Libraries in Photoshop 53 Use the Adobe Color Themes extension 61 Touch capabilities and customizable workspaces 73 Chapter 3: Photoshop and mobile apps Photoshop family of mobile apps 77 Chapter 4: Workspace Workspace basics 79 Photoshop search 89 Use the Touch Bar with Photoshop 95 Microsoft Dial support in Photoshop Tool galleries 100 Performance preferences Use tools 99 107 114 Touch gestures 118 Technology previews 118 Metadata and notes 121 Quickly share your creations 123 Place Photoshop images in other applications Preferences 128 Default keyboard shortcuts Rulers 124 129 151 Show or hide non-printing Extras Specify columns for an image 152 153 Undo and history 153 Panels and menus 158 Place files 162 Position elements with snapping Position with the Ruler tool Presets 165 165 166 Customize keyboard shortcuts Grid and guides 169 170 Last updated 2/2/2018 iv ADOBE PHOTOSHOP Contents Chapter 5: Web, screen, and app design Photoshop for design 176 Artboards 182 Export artboards, layers, and more 191 Device Preview 195 Slice web pages 198 HTML options for slices Modify slice layout 201 204 Work with web graphics 207 Create web photo galleries 209 Chapter 6: Image and color basics Resize images 217 Video | Resizing images in Photoshop Image essentials 217 219 Image size and resolution 221 Acquire images from cameras and scanners Create, open, and import images View images 234 Viewing multiple images 238 Customize color pickers and swatches High dynamic range images Color modes 240 242 Convert between color modes 249 254 Erase parts of an image Blending modes Choose colors 257 260 264 Customize indexed color tables Image information About color 228 230 270 272 275 Color and monochrome adjustments using channels Choose colors in the Color and Swatches panels Sample 277 279 281 Color mode or Image mode Color cast 281 282 Add swatches from HTML CSS and SVG 283 Chapter 7: Layers Layer basics 284 Nondestructive editing 288 Create and manage layers and groups Select, group, and link layers Mask layers 288 291 294 Video tutorial: Mask out part of an image 294 Video tutorial: Remove a person from the background with masking Layer opacity and blending Apply Smart Filters 294 299 302 Last updated 2/2/2018 v ADOBE PHOTOSHOP Contents Video tutorial: Learn Photoshop Smart filters Layer comps 302 305 Video tutorial: Improved layer comps Move, stack, and lock layers Mask layers with vector masks Manage layers and groups Layer effects and styles Edit layer masks Extract assets 305 308 309 310 313 322 323 Reveal layers with clipping masks 325 Generate image assets from layers 326 Video: Generate web assets in Photoshop CC Work with Smart Objects 332 Video tutorial: Linked Smart Objects 332 Combine multiple images into a group portrait Combine images with Auto-Blend Layers Align and distribute layers Copy CSS from layers 326 338 338 339 342 Load selections from a layer or layer mask's boundaries Knockout to reveal content from other layers Layer 343 343 344 Flattening 345 Composite 346 Background 346 Chapter 8: Selections Select And Mask workspace Make quick selections Make selections 348 353 356 Select with the marquee tools 357 Video tutorial: Select part of an image Select with the lasso tools Select a color range in an image Adjust pixel selections 357 359 361 364 Extract an object from its background 370 Convert between paths and selection borders Channel basics 370 371 Move, copy, and delete selected pixels Create a temporary quick mask 374 379 Save selections and alpha channel masks 381 Video tutorial: Mask out part of an image 381 Select the image areas in focus 384 Duplicate, split, and merge channels Channel calculations Selection 387 389 391 Bounding box 392 Last updated 2/2/2018 vi ADOBE PHOTOSHOP Contents Chapter 9: Image adjustments Perspective warp 394 Reduce camera shake blurring 402 Video | Using the camera shake reduction filter Healing brush examples 402 408 Export color lookup tables 435 Adjust image sharpness and blur 436 Video | Sharpening in Photoshop CC 436 Video | Selective focus in Photoshop 436 Understand color adjustments 442 Apply a Brightness/Contrast adjustment Adjust shadow and highlight detail From an expert: Shadows/Highlights Levels adjustment 448 449 449 450 Adjust hue and saturation 453 Make quick tonal adjustments 456 Apply special color effects to images 460 Apply the Color Balance adjustment 462 View histograms and pixel values Match, replace, and mix colors 463 469 Convert a color image to black and white Video tutorial: Creative black and white Video | Black and White adjustment layer Adjustment and fill layers Curves adjustment 474 474 474 475 478 Target images for press 482 Adjust color and tone with Levels and Curves eyedroppers Adjust HDR exposure and toning 485 486 Filter 487 Blur 487 Dodge or burn image areas 488 Chapter 10: Adobe Camera Raw New features summary 489 Introduction to Camera Raw Create panoramas 490 497 Default keyboard shortcuts 499 Vignette, grain, and dehaze effects in Camera Raw 504 Automatic perspective correction in Camera Raw 506 Radial Filter in Camera Raw 509 Manage Camera Raw settings 512 Open, process, and save images in Camera Raw 517 Repair images with the Enhanced Spot Removal tool in Camera Raw Rotate, crop, and adjust images 523 Adjust color rendering for your camera in Camera Raw New features summary 520 525 527 Last updated 2/2/2018 vii ADOBE PHOTOSHOP Contents Chapter 11: Image repair and restoration Content-Aware Patch and Move 537 Retouch and repair photos 539 Correct image distortion and noise 546 Chapter 12: Image transformations Transform objects 550 Video tutorial: Free Transform command Adjust crop, rotation, and canvas size 550 554 Video | Cropping and straightening photos Crop and straighten photos Create and edit panoramic images Warp images, shapes, and paths Vanishing Point 554 557 560 564 568 Use the Liquify filter 582 Content-aware scaling 590 Free transformations of images, shapes, and paths Warp 591 593 Transform 593 Panorama 594 Chapter 13: Drawing and painting Modify shapes 595 About drawing Draw shapes 596 598 Draw shapes in Photoshop Painting tools Create and modify brushes Add color to paths Edit paths 605 614 616 Paint with the Mixer Brush Brush presets Gradients 598 602 625 627 630 Fill and stroke selections, layers, and paths Draw with the Pen tools Create patterns 651 Generate a pattern using the Pattern Maker Manage paths 635 639 651 653 Manage pattern libraries and presets 655 Draw or paint with a graphics tablet 656 Create textured brushes 656 Add dynamic elements to brushes Gradient 658 661 Paint stylized strokes with the Art History Brush Paint with a pattern 662 663 Last updated 2/2/2018 viii ADOBE PHOTOSHOP Contents Chapter 14: Text Work with OpenType SVG fonts 664 Format characters 666 Format paragraphs 671 Create type effects 677 Edit text 682 Line and character spacing Arabic and Hebrew type 686 689 How to access Arabic and Hebrew features in Photoshop Fonts 689 691 Work with Typekit fonts 701 Asian type 703 Create type 709 Chapter 15: Video and animation Video editing | CC, CS6 714 Video | Walk through a video project 714 Edit video and animation layers 716 Video and animation overview 720 Preview video and animations 725 Paint frames in video layers 728 Import video files and image sequences Create frame animations 733 Create timeline animations Create images for video 730 740 746 Chapter 16: Filters and effects Use the Blur Gallery 752 Filter basics 760 Filter effects reference Add Lighting Effects 764 774 Use the Adaptive Wide Angle filter 777 From an expert: Adaptive wide angle filter Use the Oil Paint filter 777 779 Apply specific filters 781 Smudge image areas 784 Chapter 17: Saving and exporting Supported file formats 785 Save files in graphics formats 785 Save images 789 File formats 792 Save and export video and animations Save PDF files 798 805 Digimarc copyright protection Supported file formats 813 815 Last updated 2/2/2018 ix ADOBE PHOTOSHOP Contents Chapter 18: Printing Print 3D objects 817 Print from Photoshop 826 Print with color management 828 Contact Sheets and PDF Presentations 831 Print photos in a picture package layout Print spot colors Duotones 832 835 838 Print images to a commercial printing press 840 Chapter 19: Automation Creating actions 846 Video tutorial: Record actions Create data-driven graphics Scripting 846 850 855 Process a batch of files 856 Video | Using the Image Processor to batch process multiple files 856 Play and manage actions 860 Add conditional actions 863 About actions and the Actions panel Record tools in actions 864 865 From an expert: Tool recording 865 Add a conditional mode change to an action 865 Photoshop UI toolkit for plug-ins and scripts 866 Chapter 20: 3D and technical imaging Creative Cloud 3D Animation (Preview) 869 3D painting 875 Video | 3D painting - The next level 875 3D panel enhancements | Photoshop CC Essential 3D concepts and tools 3D rendering and saving 880 882 886 Create 3D objects and animations 890 Image stacks 892 3D workflow 895 Measurement 898 DICOM files 904 Photoshop and MATLAB Count objects in an image 907 909 Combine and convert 3D objects 911 3D texture editing 912 3D panel settings 915 Chapter 21: Color Management Understanding color management Keeping colors consistent Color settings 926 928 932 Last updated 2/2/2018 x ADOBE PHOTOSHOP Contents Work with color profiles 935 Color-managing documents for online viewing Color-managing documents when printing Color-managing imported images Proofing colors 940 941 946 947 Last updated 2/2/2018 936 Color Management About color profiles Precise, consistent color management requires accurate ICC-compliant profiles of all of your color devices For example, without an accurate scanner profile, a perfectly scanned image may appear incorrect in another program, simply due to any difference between the scanner and the program displaying the image This misleading representation may cause you to make unnecessary, time-wasting, and potentially damaging “corrections” to an already satisfactory image With an accurate profile, a program importing the image can correct for any device differences and display a scan’s actual colors A color management system uses the following kinds of profiles: Monitor profiles Describe how the monitor is currently reproducing color This is the first profile you should create because viewing color accurately on your monitor allows for critical color decisions in the design process If what you see on your monitor is not representative of the actual colors in your document, you will not be able to maintain color consistency Input device profiles Describe what colors an input device is capable of capturing or scanning If your digital camera offers a choice of profiles, Adobe recommends that you select Adobe RGB Otherwise, use sRGB (which is the default for most cameras) Advanced users may also consider using different profiles for different light sources For scanner profiles, some photographers create separate profiles for each type or brand of film scanned on a scanner Output device profiles Describe the color space of output devices like desktop printers or a printing press The color management system uses output device profiles to properly map the colors in a document to the colors within the gamut of an output device’s color space The output profile should also take into consideration specific printing conditions, such as the type of paper and ink For example, glossy paper is capable of displaying a different range of colors than matte paper Most printer drivers come with built-in color profiles It’s a good idea to try these profiles before you invest in custom profiles Document profiles Define the specific RGB or CMYK color space of a document By assigning, or tagging, a document with a profile, the application provides a definition of actual color appearances in the document For example, R=127, G=12, B=107 is just a set of numbers that different devices will display differently But when tagged with the Adobe RGB color space, these numbers specify an actual color or wavelength of light–in this case, a specific color of purple When color management is on, Adobe applications automatically assign new documents a profile based on Working Space options in the Color Settings dialog box Documents without assigned profiles are known as untagged and contain only raw color numbers When working with untagged documents, Adobe applications use the current working space profile to display and edit colors Last updated 2/2/2018 937 Color Management Managing color with profiles A Profiles describe the color spaces of the input device and the document B Using the profiles’ descriptions, the color management system identifies the document’s actual colors C The monitor’s profile tells the color management system how to translate the document’s numeric values to the monitor’s color space D Using the output device’s profile, the color management system translates the document’s numeric values to the color values of the output device so the correct appearance of colors is printed About monitor calibration and characterization Profiling software can both calibrate and characterize your monitor Calibrating your monitor brings it into compliance with a predefined standard—for example, adjusting your monitor so that it displays color using the graphics arts standard white point color temperature of 5000° K (Kelvin) Characterizing your monitor simply creates a profile that describes how the monitor is currently reproducing color Monitor calibration involves adjusting the following video settings: Brightness and contrast The overall level and range, respectively, of display intensity These parameters work just as they on a television A monitor calibration utility helps you set an optimum brightness and contrast range for calibration Gamma The brightness of the midtone values The values produced by a monitor from black to white are nonlinear— if you graph the values, they form a curve, not a straight line Gamma defines the value of that curve halfway between black and white Phosphors The substances that CRT monitors use to emit light Different phosphors have different color characteristics White point The color and intensity of the brightest white the monitor can reproduce Calibrate and profile your monitor When you calibrate your monitor, you are adjusting it so it conforms to a known specification Once your monitor is calibrated, the profiling utility lets you save a color profile The profile describes the color behavior of the monitor— what colors can or cannot be displayed on the monitor and how the numeric color values in an image must be converted so that colors are displayed accurately Make sure your monitor has been turned on for at least a half hour This gives it sufficient time to warm up and produce more consistent output Last updated 2/2/2018 938 Color Management Make sure your monitor is displaying thousands of colors or more Ideally, make sure it is displaying millions of colors or 24-bit or higher Remove colorful background patterns on your monitor desktop and set your desktop to display neutral grays Busy patterns or bright colors surrounding a document interfere with accurate color perception Do one of the following to calibrate and profile your monitor: • In Windows, install and use a monitor calibration utility • In Mac OS, use the Calibrate utility, located on the System Preferences/Displays/Color tab • For the best results, use third-party software and measuring devices In general, using a measuring device such as a colorimeter along with software can create more accurate profiles because an instrument can measure the colors displayed on a monitor far more accurately than the human eye Note: Monitor performance changes and declines over time; recalibrate and profile your monitor every month or so If you find it difficult or impossible to calibrate your monitor to a standard, it may be too old and faded Most profiling software automatically assigns the new profile as the default monitor profile For instructions on how to manually assign the monitor profile, refer to the Help system for your operating system Install a color profile Color profiles are often installed when a device is added to your system The accuracy of these profiles (often called generic profiles or canned profiles) varies from manufacturer to manufacturer You can also obtain device profiles from your service provider, download profiles from the web, or create custom profiles using professional profiling equipment • In Windows, right-click a profile and select Install Profile Alternatively, copy the profiles into the WINDOWS\system32\spool\drivers\color folder • In Mac OS, copy profiles into the /Library/ColorSync/Profiles folder or the /Users/[username]/Library/ColorSync/Profiles folder After installing color profiles, be sure to restart Adobe applications Embed a color profile To embed a color profile in a document you created in Illustrator, InDesign, or Photoshop, you must save or export the document in a format that supports ICC profiles Save or export the document in one of the following file formats: Adobe PDF, PSD (Photoshop), AI (Illustrator), INDD (InDesign), JPEG, Photoshop EPS, Large Document Format, or TIFF Select the option for embedding ICC profiles The exact name and location of this option varies between applications Search Adobe Help for additional instructions Embed a color profile (Acrobat) You can embed a color profile in an object or an entire PDF Acrobat attaches the appropriate profile, as specified in the Convert Colors dialog box, to the selected color space in the PDF For more information, see the color conversion topics in Acrobat Help Last updated 2/2/2018 939 Color Management Changing the color profile for a document There are very few situations that require you to change the color profile for a document This is because your application automatically assigns the color profile based on the settings you select in the Color Settings dialog box The only times you should manually change a color profile are when preparing a document for a different output destination or correcting a policy behavior that you no longer want implemented in the document Changing the profile is recommended for advanced users only You can change the color profile for a document in the following ways: • Assign a new profile The color numbers in the document remain the same, but the new profile may dramatically change the appearance of the colors as displayed on your monitor • Remove the profile so that the document is no longer color-managed • (Acrobat, Photoshop and InDesign) Convert the colors in the document to the color space of a different profile The color numbers are shifted in an effort to preserve the original color appearances Assign or remove a color profile (Illustrator, Photoshop) Choose Edit > Assign Profile Select an option, and click OK: Don’t Color Manage This Document Removes the existing profile from the document Select this option only if you are sure that you not want to color-manage the document After you remove the profile from a document, the appearance of colors is defined by the application’s working space profiles Working [color model: working space] Assigns the working space profile to the document Profile Lets you select a different profile The application assigns the new profile to the document without converting colors to the profile space This may dramatically change the appearance of the colors as displayed on your monitor Assign or remove a color profile (InDesign) Choose Edit > Assign Profiles For RGB Profile and CMYK Profile, select one of the following: Discard (Use Current Working Space) Removes the existing profile from the document Select this option only if you are sure that you not want to color-manage the document After you remove the profile from a document, the appearance of colors is defined by the application’s working space profiles, and you can no longer embed a profile in the document Assign Current Working Space [working space] Assigns the working space profile to the document Assign Profile Lets you select a different profile The application assigns the new profile to the document without converting colors to the profile space This may dramatically change the appearance of the colors as displayed on your monitor ? Choose a rendering intent for each type of graphic in your document For each graphic type, you can choose one of the four standard intents, or the Use Color Settings Intent, which uses the rendering intent currently specified in the Color Settings dialog box For more information on rendering intents, search in Help The graphic types include the following: Solid Color Intent Sets the rendering intent for all vector art (solid areas of color) in InDesign native objects Last updated 2/2/2018 940 Color Management Default Image Intent Sets the default rendering intent for bitmap images placed in InDesign You can still override this setting on an image-by-image basis After-Blending Intent Sets the rendering intent to the proofing or final color space for colors that result from transparency interactions on the page Use this option when your document includes transparent objects ? To preview the effects of the new profile assignment in the document, select Preview, and then click OK Convert document colors to another profile (Photoshop) Choose Edit > Convert To Profile Under Destination Space, choose the color profile to which you want to convert the document’s colors The document will be converted to and tagged with this new profile Under Conversion Options, specify a color management engine, a rendering intent, and black point and dither options (if available) (See Color conversion options.) To flatten all layers of the document onto a single layer upon conversion, select Flatten Image To preview the effects of the conversion in the document, select Preview Convert document colors to Multichannel, Device Link, or Abstract color profiles (Photoshop) Choose Edit > Convert To Profile Click Advanced The following additional ICC profile types are available under Destination Space: Multichannel Profiles that support more than four color channels These are useful when printing with more than four inks Device Link Profiles that transform from one device color space to another, without using an intermediate color space in the process These are useful when specific mappings of device values (like 100% black) are required Abstract Profiles that enable custom image effects Abstract profiles can have LAB/XYZ values for both input and output values, which enables generation of a custom LUT to achieve the desired special effect Note: Gray, RGB, LAB, and CMYK color profiles are grouped by category in Advanced view They are combined on the Profile menu in Basic view ? To preview the effects of the conversion in the document, select Preview Convert document colors to another profile (Acrobat) You convert colors in a PDF by using Tools > Print Production > Convert Colors For more information, see the color conversion topics in Acrobat Help Color-managing documents for online viewing Last updated 2/2/2018 941 Color Management Color-managing documents for online viewing Color management for online viewing is very different from color management for printed media With printed media, you have far more control over the appearance of the final document With online media, your document will appear on a wide range of possibly uncalibrated monitors and video display systems, significantly limiting your control over color consistency When you color-manage documents that will be viewed exclusively on the web, Adobe recommends that you use the sRGB color space sRGB is the default working space for most Adobe color settings, but you can verify that sRGB is selected in the Color Settings dialog box (Photoshop, Illustrator, InDesign) or the Color Management preferences (Acrobat) With the working space set to sRGB, any RGB graphics you create will use sRGB as the color space When working with images that have an embedded color profile other than sRGB, you should convert the image’s colors to sRGB before you save the image for use on the web If you want the application to automatically convert the colors to sRGB when you open the image, select Convert To Working Space as the RGB color management policy (Make sure that your RGB working space is set to sRGB.) In Photoshop and InDesign, you can also manually convert the colors to sRGB using the Edit > Convert To Profile command Note: In InDesign, the Convert To Profile command only converts colors for native, not placed, objects in the document Color-managing PDFs for online viewing When you export PDFs, you can choose to embed profiles PDFs with embedded profiles reproduce color consistently in Acrobat 4.0 or later running under a properly configured color management system Keep in mind that embedding color profiles increases the size of PDFs RGB profiles are usually small (around KB); however, CMYK profiles can range from 0.5 to MB Color-managing HTML documents for online viewing Many web browsers not support color management Of the browsers that support color management, not all instances can be considered color-managed because they may be running on systems where the monitors are not calibrated In addition, few web pages contain images with embedded profiles If you manage a highly controlled environment, such as the intranet of a design studio, you may be able to achieve some degree of HTML color management for images by equipping everyone with a browser that supports color management and calibrating all monitors You can approximate how colors will look on uncalibrated monitors by using the sRGB color space However, because color reproduction varies among uncalibrated monitors, you still won’t be able to anticipate the true range of potential display variations Color-managing documents when printing Last updated 2/2/2018 942 Color Management About color profiles Precise, consistent color management requires accurate ICC-compliant profiles of all of your color devices For example, without an accurate scanner profile, a perfectly scanned image may appear incorrect in another program, simply due to any difference between the scanner and the program displaying the image This misleading representation may cause you to make unnecessary, time-wasting, and potentially damaging “corrections” to an already satisfactory image With an accurate profile, a program importing the image can correct for any device differences and display a scan’s actual colors.A color management system uses the following kinds of profiles: Monitor profiles Describe how the monitor is currently reproducing color This is the first profile you should create because viewing color accurately on your monitor allows for critical color decisions in the design process If what you see on your monitor is not representative of the actual colors in your document, you will not be able to maintain color consistency Input device profiles Describe what colors an input device is capable of capturing or scanning If your digital camera offers a choice of profiles, Adobe recommends that you select Adobe RGB Otherwise, use sRGB (which is the default for most cameras) Advanced users may also consider using different profiles for different light sources For scanner profiles, some photographers create separate profiles for each type or brand of film scanned on a scanner Output device profiles Describe the color space of output devices like desktop printers or a printing press The color management system uses output device profiles to properly map the colors in a document to the colors within the gamut of an output device’s color space The output profile should also take into consideration specific printing conditions, such as the type of paper and ink For example, glossy paper is capable of displaying a different range of colors than matte paper Most printer drivers come with built-in color profiles It’s a good idea to try these profiles before you invest in custom profiles Document profiles Define the specific RGB or CMYK color space of a document By assigning, or tagging, a document with a profile, the application provides a definition of actual color appearances in the document For example, R=127, G=12, B=107 is just a set of numbers that different devices will display differently But when tagged with the Adobe RGB color space, these numbers specify an actual color or wavelength of light–in this case, a specific color of purple When color management is on, Adobe applications automatically assign new documents a profile based on Working Space options in the Color Settings dialog box Documents without assigned profiles are known as untagged and contain only raw color numbers When working with untagged documents, Adobe applications use the current working space profile to display and edit colors Last updated 2/2/2018 943 Color Management Managing color with profiles A Profiles describe the color spaces of the input device and the document B Using the profiles’ descriptions, the color management system identifies the document’s actual colors C The monitor’s profile tells the color management system how to translate the document’s numeric values to the monitor’s color space D Using the output device’s profile, the color management system translates the document’s numeric values to the color values of the output device so the correct appearance of colors is printed About monitor calibration and characterization Profiling software can both calibrate and characterize your monitor Calibrating your monitor brings it into compliance with a predefined standard—for example, adjusting your monitor so that it displays color using the graphics arts standard white point color temperature of 5000° K (Kelvin) Characterizing your monitor simply creates a profile that describes how the monitor is currently reproducing color Monitor calibration involves adjusting the following video settings: Brightness and contrast The overall level and range, respectively, of display intensity These parameters work just as they on a television A monitor calibration utility helps you set an optimum brightness and contrast range for calibration Gamma The brightness of the midtone values The values produced by a monitor from black to white are nonlinear— if you graph the values, they form a curve, not a straight line Gamma defines the value of that curve halfway between black and white Phosphors The substances that CRT monitors use to emit light Different phosphors have different color characteristics White point The color and intensity of the brightest white the monitor can reproduce Calibrate and profile your monitor When you calibrate your monitor, you are adjusting it so it conforms to a known specification Once your monitor is calibrated, the profiling utility lets you save a color profile The profile describes the color behavior of the monitor— what colors can or cannot be displayed on the monitor and how the numeric color values in an image must be converted so that colors are displayed accurately Make sure your monitor has been turned on for at least a half hour This gives it sufficient time to warm up and produce more consistent output Last updated 2/2/2018 944 Color Management Make sure your monitor is displaying thousands of colors or more Ideally, make sure it is displaying millions of colors or 24-bit or higher Remove colorful background patterns on your monitor desktop and set your desktop to display neutral grays Busy patterns or bright colors surrounding a document interfere with accurate color perception Do one of the following to calibrate and profile your monitor: • In Windows, install and use a monitor calibration utility • In Mac OS, use the Calibrate utility, located on the System Preferences/Displays/Color tab • For the best results, use third-party software and measuring devices In general, using a measuring device such as a colorimeter along with software can create more accurate profiles because an instrument can measure the colors displayed on a monitor far more accurately than the human eye Note: Monitor performance changes and declines over time; recalibrate and profile your monitor every month or so If you find it difficult or impossible to calibrate your monitor to a standard, it may be too old and faded Most profiling software automatically assigns the new profile as the default monitor profile For instructions on how to manually assign the monitor profile, refer to the Help system for your operating system Install a color profile Color profiles are often installed when a device is added to your system The accuracy of these profiles (often called generic profiles or canned profiles) varies from manufacturer to manufacturer You can also obtain device profiles from your service provider, download profiles from the web, or create custom profiles using professional profiling equipment • In Windows, right-click a profile and select Install Profile Alternatively, copy the profiles into the WINDOWS\system32\spool\drivers\color folder • In Mac OS, copy profiles into the /Library/ColorSync/Profiles folder or the /Users/[username]/Library/ColorSync/Profiles folder After installing color profiles, be sure to restart Adobe applications Embed a color profile To embed a color profile in a document you created in Illustrator, InDesign, or Photoshop, you must save or export the document in a format that supports ICC profiles • Save or export the document in one of the following file formats: Adobe PDF, PSD (Photoshop), AI (Illustrator), INDD (InDesign), JPEG, Photoshop EPS, Large Document Format, or TIFF • Select the option for embedding ICC profiles The exact name and location of this option varies between applications Search Adobe Help for additional instructions Embed a color profile (Acrobat) You can embed a color profile in an object or an entire PDF Acrobat attaches the appropriate profile, as specified in the Convert Colors dialog box, to the selected color space in the PDF For more information, see the color conversion topics in Acrobat Help Last updated 2/2/2018 945 Color Management Changing the color profile for a document There are very few situations that require you to change the color profile for a document This is because your application automatically assigns the color profile based on the settings you select in the Color Settings dialog box The only times you should manually change a color profile are when preparing a document for a different output destination or correcting a policy behavior that you no longer want implemented in the document Changing the profile is recommended for advanced users only You can change the color profile for a document in the following ways: • Assign a new profile The color numbers in the document remain the same, but the new profile may dramatically change the appearance of the colors as displayed on your monitor • Remove the profile so that the document is no longer color-managed • (Acrobat, Photoshop and InDesign) Convert the colors in the document to the color space of a different profile The color numbers are shifted in an effort to preserve the original color appearances Assign or remove a color profile (Illustrator, Photoshop) Choose Edit > Assign Profile Select an option, and click OK: Don’t Color Manage This Document Removes the existing profile from the document Select this option only if you are sure that you not want to color-manage the document After you remove the profile from a document, the appearance of colors is defined by the application’s working space profiles Working [color model: working space] Assigns the working space profile to the document Profile Lets you select a different profile The application assigns the new profile to the document without converting colors to the profile space This may dramatically change the appearance of the colors as displayed on your monitor Assign or remove a color profile (InDesign) Choose Edit > Assign Profiles For RGB Profile and CMYK Profile, select one of the following: Discard (Use Current Working Space) Removes the existing profile from the document Select this option only if you are sure that you not want to color-manage the document After you remove the profile from a document, the appearance of colors is defined by the application’s working space profiles, and you can no longer embed a profile in the document Assign Current Working Space [working space] Assigns the working space profile to the document Assign Profile Lets you select a different profile The application assigns the new profile to the document without converting colors to the profile space This may dramatically change the appearance of the colors as displayed on your monitor Choose a rendering intent for each type of graphic in your document For each graphic type, you can choose one of the four standard intents, or the Use Color Settings Intent, which uses the rendering intent currently specified in the Color Settings dialog box For more information on rendering intents, search in Help The graphic types include the following: Solid Color Intent Sets the rendering intent for all vector art (solid areas of color) in InDesign native objects Default Image Intent Sets the default rendering intent for bitmap images placed in InDesign You can still override this setting on an image-by-image basis After-Blending Intent Sets the rendering intent to the proofing or final color space for colors that result from transparency interactions on the page Use this option when your document includes transparent objects To preview the effects of the new profile assignment in the document, select Preview, and then click OK Last updated 2/2/2018 946 Color Management Convert document colors to another profile (Photoshop) Choose Edit > Convert To Profile Under Destination Space, choose the color profile to which you want to convert the document’s colors The document will be converted to and tagged with this new profile Under Conversion Options, specify a color management engine, a rendering intent, and black point and dither options (if available) (See Color conversion options.) To flatten all layers of the document onto a single layer upon conversion, select Flatten Image To preview the effects of the conversion in the document, select Preview Convert document colors to Multichannel, Device Link, or Abstract color profiles (Photoshop) Choose Edit > Convert To Profile Click Advanced The following additional ICC profile types are available under Destination Space: Multichannel Profiles that support more than four color channels These are useful when printing with more than four inks Device Link Profiles that transform from one device color space to another, without using an intermediate color space in the process These are useful when specific mappings of device values (like 100% black) are required Abstract Profiles that enable custom image effects Abstract profiles can have LAB/XYZ values for both input and output values, which enables generation of a custom LUT to achieve the desired special effect Note: Gray, RGB, LAB, and CMYK color profiles are grouped by category in Advanced view They are combined on the Profile menu in Basic view ? To preview the effects of the conversion in the document, select Preview Convert document colors to another profile (Acrobat) You convert colors in a PDF by using Tools > Print Production > Convert Colors For more information, see the color conversion topics in Acrobat Help Color-managing imported images Color-managing imported images (Illustrator, InDesign) How imported images are integrated into a document’s color space depends on whether or not the image has an embedded profile: • When you import an image that contains no profile, the Adobe application uses the current document profile to define the colors in the image • When you import an image that contains an embedded profile, color policies in the Color Settings dialog box determine how the Adobe application handles the profile Last updated 2/2/2018 947 Color Management Using a safe CMYK workflow A safe CMYK workflow ensures that CMYK color numbers are preserved all the way to the final output device, as opposed to being converted by your color management system This workflow is beneficial if you want to incrementally adopt color management practices For example, you can use CMYK profiles to soft-proof and hard-proof documents without the possibility of unintended color conversions occurring during final output Illustrator and InDesign support a safe CMYK workflow by default As a result, when you open or import a CMYK image with an embedded profile, the application ignores the profile and preserves the raw color numbers If you want your application to adjust color numbers based on an embedded profile, change the CMYK color policy to Preserve Embedded Profiles in the Color Settings dialog box You can easily restore the safe CMYK workflow by changing the CMYK color policy back to Preserve Numbers (Ignore Linked Profiles) You can override safe CMYK settings when you print a document or save it to Adobe PDF However, doing so may cause colors to be reseparated For example, pure CMYK black objects may be reseparated as rich black For more information on color management options for printing and saving PDFs, search in Help Preparing imported graphics for color management Use the following general guidelines to prepare graphics for being color-managed in Adobe applications: • Embed an ICC-compliant profile when you save the file The file formats that support embedded profiles are JPEG, PDF, PSD (Photoshop), AI (Illustrator), INDD (InDesign), Photoshop EPS, Large Document Format, and TIFF • If you plan to reuse a color graphic for multiple final output devices or media, such as for print, video, and the web, prepare the graphic using RGB or Lab colors whenever possible If you must save in a color model other than RGB or Lab, keep a copy of the original graphic RGB and Lab color models represent larger color gamuts than most output devices can reproduce, retaining as much color information as possible before being translated to a smaller output color gamut View or change profiles for imported bitmap images (InDesign) InDesign allows you to view, override, or disable profiles for imported bitmap images This may be necessary when you are importing an image containing no profile or an incorrectly embedded profile For example, if the scanner manufacturer’s default profile was embedded but you have since generated a custom profile, you can assign the newer profile ? Do one of the following: • If the graphic is already in layout, select it and choose Object > Image Color Settings • If you’re about to import the graphic, choose File > Place, select Show Import Options, select and open the file, and then select the Color tab For Profile, choose the source profile to apply to the graphic in your document If a profile is currently embedded, the profile name appears at the top of the Profile menu (Optional) Choose a rendering intent, and then click OK In most cases, it’s best to use the default rendering intent Note: You can also view or change profiles for objects in Acrobat Proofing colors Last updated 2/2/2018 948 Color Management About soft-proofing colors In a traditional publishing workflow, you print a hard proof of your document to preview how its colors will look when reproduced on a specific output device In a color-managed workflow, you can use the precision of color profiles to softproof your document directly on the monitor You can display an on-screen preview of how your document’s colors will look when reproduced on a particular output device Keep in mind that the reliability of the soft proof depends upon the quality of your monitor, the profiles of your monitor and output devices, and the ambient lighting conditions of your work environment Note: A soft proof alone doesn’t let you preview how overprinting will look when printed on an offset press If you work with documents that contain overprinting, turn on Overprint Preview to accurately preview overprints in a soft proof For Acrobat, the Overprint Preview option is automatically applied Using a soft proof to preview the final output of a document on your monitor A Document is created in its working color space B Document’s color values are translated to color space of chosen proof profile (usually the output device’s profile) C Monitor displays proof profile’s interpretation of document’s color values Soft-proof colors Choose View > Proof Setup, and one of the following: • Choose a preset that corresponds to the output condition you want to simulate • Choose Custom (Photoshop and InDesign) or Customize (Illustrator) to create a custom proof setup for a specific output condition This option is recommended for the most accurate preview of your final printed piece Choose View > Proof Colors to toggle the soft-proof display on and off When soft proofing is on, a check mark appears next to the Proof Colors command, and the name of the proof preset or profile appears at the top of the document window To compare the colors in the original image and the colors in the soft proof, open the document in a new window before you set up the soft proof Soft-proof presets Working CMYK Creates a soft proof of colors using the current CMYK working space as defined in the Color Settings dialog box Document CMYK (InDesign) Creates a soft proof of colors using the document’s CMYK profile Working Cyan Plate, Working Magenta Plate, Working Yellow Plate, Working Black Plate, or Working CMY Plates (Photoshop) Creates a soft proof of specific CMYK ink colors using the current CMYK working space Legacy Macintosh RGB (Photoshop and Illustrator) Creates a soft proof of colors simulating Mac OS 10.5 and earlier Internet Standard RGB (Photoshop and Illustrator) Creates a soft proof of colors simulating Windows and Mac OS 10.6 and later Monitor RGB (Photoshop and Illustrator) Creates a soft proof of RGB colors using your current monitor profile as the proof profile The Legacy Macintosh, Internet Standard, and Monitor RGB options assume that the simulated device will display your document without using color management These options are unavailable for Lab or CMYK documents Last updated 2/2/2018 949 Color Management Color Blindness (Photoshop and Illustrator) Creates a soft proof that reflects colors visible to a person with color blindness The two soft proof options, Protanopia and Deuteranopia, approximate color perception for the most common forms of color blindness For more information, see Soft-proof for color blindness (Photoshop and Illustrator) Custom soft-proof options Device To Simulate Specifies the color profile of the device for which you want to create the proof The usefulness of the chosen profile depends on how accurately it describes the device’s behavior Often, custom profiles for specific paper and printer combinations create the most accurate soft proof Preserve CMYK Numbers or Preserve RGB Numbers Simulates how the colors will appear without being converted to the color space of the output device This option is most useful when you are following a safe CMYK workflow Rendering Intent (Photoshop and Illustrator) When the Preserve Numbers option is deselected, specifies a rendering intent for converting colors to the device you are trying to simulate Use Black Point Compensation (Photoshop) Ensures that the shadow detail in the image is preserved by simulating the full dynamic range of the output device Select this option if you plan to use black point compensation when printing (which is recommended in most situations) Simulate Paper Color Simulates the dingy white of real paper, according to the proof profile Not all profiles support this option Simulate Black Ink Simulates the dark gray you really get instead of a solid black on many printers, according to the proof profile Not all profiles support this option In Photoshop, if you want the custom proof setup to be the default proof setup for documents, close all document windows before choosing the View > Proof Setup > Custom command Soft-proof for color blindness (Photoshop and Illustrator) Color Universal Design (CUD) ensures that graphical information is conveyed accurately to people with various types of color vision, including people with color blindness Several countries have guidelines that require CUD-compliant graphics in public spaces The most common types of color blindness are protanopia (reduced sensitivity to red) and deuteranopia (reduced sensitivity to green) A third of color blind people are affected strongly; the remainder have milder forms of color blindness Adjusting design for color blindness A Original image B Color-blind proof C Optimized design To determine whether a document is CUD-compliant, the following: Convert the document to RGB color mode, which provides the most accurate soft-proofs for color blindness (Optional) To simultaneously view the original document and a soft-proof, choose Window > New Window (Illustrator) or Window > Arrange > New Window (Photoshop) Last updated 2/2/2018 950 Color Management Choose View > Proof Setup > Color Blindness, and then choose either Protanopia-type or Deuteranopia-type (To comply with CUD, check your document in both views.) In Photoshop, you can print the proof For more information, search for “Print a hard proof ” in Photoshop Help If objects are difficult to distinguish in color blind proofs, adjust the design by doing any of the following: • Change color brightness or hue: • Pure red tends to appear dark and muddy; orange-red is easier to recognize • Bluish green is less confusing than yellowish green • Gray may be confused with magenta, pale pink, pale green, or emerald green • Avoid the following combinations: red and green; yellow and bright green; light blue and pink; dark blue and violet • Avoid red items on dark-colored backgrounds, or white items on yellow or orange-red backgrounds • Apply different patterns or shapes • Add white, black, or dark-colored borders on color boundaries • Use different font families or styles Save or load a custom proof setup (Photoshop, InDesign) Choose View > Proof Setup > Custom Do either of the following: • To save a custom proof setup, click Save To ensure that the new preset appears in the View > Proof Setup menu, save the preset in the default location • To load a custom proof setup, click Load Soft-proof colors (Acrobat) Do one of the following, depending on your version of Acrobat: • (Acrobat 9) Choose Advanced > Print Production > Output Preview • (Acrobat X) Choose Tools > Print Production > Output Preview Choose the color profile of a specific output device from the Simulation Profile menu Choose a soft-proof option: Simulate Black Ink Simulates the dark gray you really get instead of a solid black on many printers, according to the proof profile Not all profiles support this option Simulate Paper Color Simulates the dingy white of real paper, according to the proof profile Not all profiles support this option Last updated 2/2/2018 ... from Adobe Stock • Quickly access files, templates, and items that you've have recently accessed (Recents tab) • Save your own custom presets for reuse and quickly access them later (Saved tab)... brushes Getting started with advanced custom brushes Access your Lightroom photos in Photoshop New in the October 2017 release You can now access all of your synced Lightroom photos directly from... Median filter • Improved Refine Edge tool accuracy in the Select & Mask workspace • New preference on Windows 10: Preferences > Workspace > Align UI According To OS Settings Use this preference

Ngày đăng: 31/12/2018, 12:38

Từ khóa liên quan

Mục lục

  • Legal notices

  • Contents

  • Chapter 1: Introduction to Photoshop

    • New features summary

      • Select Subject

      • Support for Microsoft Surface Dial

      • High-density monitor support and per-monitor scaling

      • Brush-related features

        • Stroke smoothing

        • Streamlined brush management

        • Getting started with advanced custom brushes

      • Access your Lightroom photos in Photoshop

      • Variable fonts

      • Quickly share your creations

      • Curvature Pen tool

      • Path options

      • Copy-paste layers

      • Rich tooltips

      • Edit spherical panoramas in Photoshop

      • Properties panel improvements

      • Select & Mask improvements

      • Learn panel

      • Technology Preview features

        • Preserve Details 2.0 Upscale

        • Paint Symmetry

      • Camera Raw | New features

        • Quick selections with Color and Luminance Range Masking

      • Other enhancements and fixes

        • January 2018 release

        • October 2017 release

      • What's changed

      • Known issues

      • Fixed customer issues

    • Create documents

      • Templates and presets

      • Access the New Document dialog

        • Overview: New Document dialog

      • Create documents using presets

        • Modify presets

      • Save your own presets

      • Create documents using templates from Stock

        • Search for more templates from Adobe Stock

      • Use the legacy File New experience

      • FAQ

    • System requirements | Photoshop

      • System requirements | October 2017 (19.0) release of Photoshop CC

        • Windows

        • macOS

        • Language versions

      • System requirements | 2017 release of Photoshop CC

        • Windows

        • macOS

        • Language versions

      • Graphics processor requirements

        • Features requiring the graphics processor

        • Tested graphics card

        • Don't see your card in the list?

        • Unsupported card series

      • System Requirements | Adobe Camera Raw

        • Unsupported video adapters on macOS

      • System requirements | Older versions of Photoshop

    • Migrate presets, actions, and settings

      • Presets, settings, and actions

      • Migrate presets

        • Migrate presets while updating Photoshop

        • Migrate presets after installing/updating Photoshop

        • Export and import presets

        • Save and load presets

      • Migrate actions

      • Manually copy settings

    • System requirements | Older versions of Photoshop

      • Photoshop CC 2015.x system requirements

        • Windows

        • Mac OS

        • Language versions

      • Photoshop CC 2014 system requirements

        • Windows

        • Mac OS

        • Language versions

      • Photoshop CC system requirements

        • Windows

        • Mac OS

      • Legacy versions

        • Photoshop CS6

        • Windows

        • Mac OS

        • Photoshop CS5

        • Windows

        • Mac OS

        • Photoshop CS4

        • Windows

        • Mac OS

        • Photoshop CS3

        • Windows

        • Mac OS

        • Photoshop CS2

        • Windows

        • Mac OS

        • Photoshop CS

        • Windows

        • Mac OS

        • Photoshop 7

        • Windows

        • Mac OS

        • Photoshop 6

        • Windows

        • Mac OS

        • Photoshop 5.5

        • Windows

        • Mac OS

        • Photoshop 5

        • Windows

        • Mac OS

        • Photoshop 4

        • Windows

        • Mac OS

        • Photoshop 3

        • Windows

        • Mac OS

        • Unix

        • Photoshop 2.5

        • Mac OS

        • Unix

        • Photoshop 2

        • Mac OS

        • Photoshop 1

        • Mac OS

  • Chapter 2: Photoshop and Adobe services

    • Photoshop and Adobe Stock

      • Use templates from Adobe Stock

      • Search for stock images from within Photoshop

      • Use stock images in your Photoshop documents

      • See also

    • Creative Cloud Libraries in Photoshop

      • A first look at Creative Cloud Libraries

      • Create a library

        • Create new library from a document

      • Linked and unlinked assets

        • Use library-linked assets in your Photoshop document

      • File sync

        • Turn on file sync

      • Add assets to the library

        • Add graphics

        • Add layer styles, character styles, and colors

      • Add assets from Adobe Stock

      • Add assets from Creative Cloud Market

      • Add assets from other Adobe applications

      • Library search

      • Find stock images visually similar to a library element

    • Use the Adobe Color Themes extension

      • Access the Adobe Color Themes panel

      • Explore color themes

        • Work with the color theme

      • Create and save a color theme

        • Color rules

      • Access themes saved to your libraries

    • Touch capabilities and customizable workspaces

      • Touch workspace and gestures

      • Customizable toolbar and workspaces

  • Chapter 3: Photoshop and mobile apps

    • Photoshop family of mobile apps

  • Chapter 4: Workspace

    • Workspace basics

      • Start workspace

        • Work with the Start workspace

        • Disable the Start workspace

      • A first look at the Photoshop working area

      • Workspace overview

        • Usability features

        • Hide or show all panels

        • Display panel options

        • Reconfigure the Tools panel

      • Manage windows and panels

        • Rearrange, dock, or float document windows

        • Dock and undock panels

        • Move panels

        • Add and remove panels

        • Manipulate panel groups

        • Stack floating panels

        • Resize panels

        • Collapse and expand panel icons

      • Comprehensive search

      • Create documents

      • Save and switch workspaces

        • Save a custom workspace

        • Display or switch workspaces

        • Delete a custom workspace

        • Restore the default workspace

        • Restore a saved workspace arrangement

      • Rich tooltips

      • Hide tooltips

      • Windows | High-density monitor support and per-monitor scaling

      • Use Photoshop with the Touch Bar on MacBook Pro

      • Windows | Modifier Keys palette

    • Photoshop search

      • Begin searching

      • Scope of search

      • Search interface

      • Visual canvas search

      • Default behaviors with search results

    • Use the Touch Bar with Photoshop

      • Touch Bar interface

      • Touch Bar modes in Photoshop

        • Context-sensitive operations

      • Photoshop controls in the Touch Bar

      • Customize the Touch Bar modes

        • Preferences

        • Add and delete commands from the Touch Bar

    • Microsoft Dial support in Photoshop

      • Make dynamic adjustments

    • Tool galleries

      • Rich tooltips

      • Customize the toolbar

      • Tool galleries

    • Performance preferences

      • Adjust the memory allocated to Photoshop

      • Adjust cache levels

        • Cache basics

        • Cache presets

        • Cache levels

      • Limit history states

      • Set graphics processor (GPU) settings

        • GPU preferences

      • Manage scratch disks

        • Recommendations for setting scratch disk preferences

      • Recovery and background save options

      • The Efficiency indicator

      • See also

    • Use tools

      • Select and display tools

        • Select a tool

        • Cycle through hidden tools

        • Change tool pointers

        • Visually resize or change hardness of painting cursors

      • Use the options bar

      • Tool presets

        • Create a tool preset

        • Change the list of tool presets

    • Touch gestures

    • Technology previews

      • Enable/disable a technology preview feature

      • Technology preview features in Photoshop CC

        • Preserve Details 2.0 Upscale

        • Paint Symmetry

    • Metadata and notes

      • About metadata

      • Notes

        • Add notes

        • Show or hide notes

        • Open and edit notes

        • Import notes from a flattened PDF version of a multilayer image

        • Delete notes

    • Quickly share your creations

    • Place Photoshop images in other applications

      • Prepare images for page-layout programs

      • Use Photoshop artwork in Adobe Illustrator

      • Create transparency using image clipping paths

      • Print image clipping paths

      • Export paths to Adobe Illustrator

      • Link or embed an image using OLE (Windows only)

        • Link or embed a selection or image in an OLE application

        • Insert an unlinked screen-resolution bitmap into an OLE application

        • Modify and update a linked or embedded image in an OLE application

    • Preferences

      • About preferences

      • Adjust preferences in Photoshop

        • Open a preferences dialog box

        • Reset Photoshop preferences

        • Disable and enable warning messages

      • Performance-related preferences

    • Default keyboard shortcuts

    • Rulers

      • About rulers

      • Change a ruler’s zero origin

      • Change the unit of measurement

    • Show or hide non-printing Extras

      • Show or hide Extras

    • Specify columns for an image

      • Specify columns for an image

    • Undo and history

      • Use the Undo or Redo commands

      • Revert to the last saved version

      • Restore part of an image to its previously saved version

      • Cancel an operation

      • Receive notification when an operation is completed

      • Using the History panel

        • Revert to a previous image state

        • Delete one or more image states

        • Create or replace a document with an image state

        • Set history options

        • Set Edit History Log options

      • Make a snapshot of an image

        • Create a snapshot

        • Work with snapshots

      • Paint with a state or snapshot of an image

    • Panels and menus

      • Enter values in panels, dialog boxes, and the options bar

      • Work with sliders

        • About pop-up sliders

        • About scrubby sliders

      • Work with pop-up panels

        • Rename or delete an item in a pop-up panel

        • Customize the list of items in a pop-up panel

        • Change the display of items in a pop-up panel

      • Display and define menus

        • Display context menus

        • Define a set of menus

        • Delete a set of menus

        • Temporarily show hidden menu items

        • Turn menu colors on or off

    • Place files

      • Place a file in Photoshop

      • Place PDF or Illustrator files in Photoshop

      • Paste Adobe Illustrator art into Photoshop

    • Position elements with snapping

      • Use snapping

        • Enable or disable snapping

        • Specify what to snap to

    • Position with the Ruler tool

      • Position with the Ruler tool

        • Measure between two points

        • Edit a measuring line

    • Presets

      • Migrate presets from earlier versions of Photoshop

      • From an expert: Migrating presets into Photoshop

      • Work with the Preset Manager

        • About the Preset Manager

        • Load a library of preset items

        • Manage preset items

        • Rename preset items

        • Delete preset items

        • Create a new library of presets

        • Restore the default library of preset items

        • Default preset locations

        • Displaying hidden files in Windows

    • Customize keyboard shortcuts

      • Define new keyboard shortcuts

      • Clear shortcuts from a command or tool

      • Delete a set of shortcuts

      • View a list of current shortcuts

    • Grid and guides

      • Position with guides and the grid

        • Show or hide a grid, guides, or Smart Guides

        • Place a guide

        • Move a guide

        • Remove guides from the image

        • Set guide and grid preferences

      • Work efficiently with Smart Guides

  • Chapter 5: Web, screen, and app design

    • Photoshop for design

    • Artboards

      • So, what's an artboard?

      • Artboard preferences

      • Create an artboard document

        • Convert an existing document into an artboard document

      • Add artboards to the current document

        • Quickly add new artboards to a document

      • Work with artboards

      • Export artboards

        • Export artboards as image assets

        • Export artboards as PDF

        • Export artboards as files

      • Device Preview and the Preview CC companion app

      • FAQ

    • Export artboards, layers, and more

      • Export artboards, layers, or documents using Quick Export

        • Change Quick Export preferences

      • Export As dialog: Artboards, layers, or documents

        • Options in the Export As dialog

        • Export assets at different sizes

      • Export artboards as PDF documents or image files

      • Limitations and common errors

        • SVG export limitations

        • Common errors

    • Device Preview

      • Connect Preview CC with Photoshop

        • Check for devices

      • Support for artboards

      • Common questions

      • Learn more about Preview CC

    • Slice web pages

      • Slice types

      • Slice a web page

        • Create a slice with the Slice tool

        • Create slices from guides

        • Create a slice from a layer

      • Convert auto and layer-based slices to user slices

      • View slices and slice options

        • Show or hide slice boundaries

        • Show or hide auto slices

        • Show or hide slice numbers

        • Change the color of slice lines

    • HTML options for slices

      • Display the Slice Options dialog box

      • Specify a slice content type

      • Rename a slice

      • Choose a background color for a slice

      • Assign URL link information to an Image slice

      • Specify browser messages and Alt text

      • Add HTML text to a slice

    • Modify slice layout

      • Select one or more slices

      • Move, resize, and snap user slices

        • Move or resize a user slice

        • Resize or move a user slice using numeric coordinates

        • Snap slices to a guide, user slice, or other object

      • Divide user slices and auto slices

      • Duplicate slices

      • Copy and paste a slice

      • Combine slices

      • Change the stacking order of slices

      • Align and distribute user slices

      • Delete a slice

      • Lock all slices

    • Work with web graphics

      • Creating rollover images

      • Export to Zoomify

      • Working with hexadecimal color values

        • View hexadecimal color values in the Info panel

        • Copy a color as a hexadecimal value

    • Create web photo galleries

      • About web photo galleries

      • Create a web photo gallery

        • Create web galleries using Adobe Bridge

        • Use the older, optional Photoshop plug-in

      • Making sure that your colors match

      • Web photo gallery options

      • Web photo gallery styles

      • About customizing web photo gallery styles

      • Customize or create a web photo gallery style

      • Web photo gallery style tokens

  • Chapter 6: Image and color basics

    • Resize images

    • Video | Resizing images in Photoshop

      • Resize images

        • Resampling options | Photoshop CC

    • Image essentials

      • About bitmap images

      • About vector graphics

      • Combining vector graphics and bitmap images

      • Color channels

      • Bit depth

      • Convert between bit depths

    • Image size and resolution

      • About pixel dimensions and printed image resolution

        • Quickly display the current image size

      • File size

      • About monitor resolution

      • About printer resolution

      • Determine a suggested resolution for an image

      • View the print size onscreen

      • Resampling

      • Change pixel dimensions of an image

      • Change the print dimensions and resolution

      • What affects file size?

    • Acquire images from cameras and scanners

      • Acquiring digital images from cameras

      • Import images from a digital camera using WIA (Windows only)

      • Importing scanned images

        • Scan and import images from a separate scanning application

        • Scan and import images using Apple’s ImageKit interface (Mac only)

        • Scan and import images using a WIA interface (Windows only)

        • Scan and import images using a TWAIN interface

        • Video | Improve smartphone images

    • Create, open, and import images

      • Create an image

      • Duplicate an image

      • Open files

        • Open a file using the Open command

        • Open a recently used file

        • Specify the file format in which to open a file

      • Open PDF files

      • Open an EPS file

    • View images

      • Change the screen mode

      • View another area of an image

      • Use the Rotate View tool

      • Disable trackpad gestures (Mac OS)

      • Use the Navigator panel

      • Zoom in or out

        • Set Zoom tool preferences

        • Zoom a preset amount

        • Display images at 100%

        • Zoom continuously

        • Magnify a specific area

        • Temporarily zoom an image

        • Automatically resize the window when zooming

        • Fit an image to the screen

        • Hide the pixel grid

    • Viewing multiple images

      • View images in multiple windows

      • Match zoom and location in multiple images

        • Match only zoom

        • Match only location

        • Match zoom and location

    • Customize color pickers and swatches

      • Change the Color Picker

      • Add and delete color swatches

        • Add a color to the Swatches panel

        • Delete a color from the Swatches panel

      • Manage swatch libraries

        • Load or replace a library of swatches

        • Save a set of swatches as a library

        • Return to the default library of swatches

      • Share swatches between applications

    • High dynamic range images

      • About high dynamic range images

      • Take photos for HDR images

      • Features that support 32-bpc HDR images

      • Merge images to HDR

        • Options for 32-bit images

        • Options for 16- or 8-bit images

        • Compensate for moving objects

        • Save or load camera response curves

        • Convert from 32 bits to 16 or 8 bpc

      • Adjust displayed dynamic range for 32-bit HDR images

      • About the HDR Color Picker

        • Display the HDR Color Picker

        • Choose colors for HDR images

      • Paint on HDR images

    • Convert between color modes

      • Convert an image to another color mode

      • Convert an image to Bitmap mode

      • Convert a color photo to Grayscale mode

      • Convert a Bitmap mode image to Grayscale mode

      • Convert a grayscale or RGB image to indexed color

        • Conversion options for indexed-color images

    • Color modes

      • RGB Color mode

      • CMYK Color mode

      • Lab Color mode

      • Grayscale mode

      • Bitmap mode

      • Duotone mode

      • Indexed Color mode

      • Multichannel mode

    • Erase parts of an image

      • Erase with the Eraser tool

      • Stroke smoothing

      • Change similar pixels with the Magic Eraser tool

      • Change pixels to transparent with the Background Eraser tool

      • Auto Erase with the Pencil tool

    • Blending modes

      • Blending mode descriptions

      • Blending mode examples

    • Choose colors

      • About foreground and background colors

      • Video Tip | Make a shortcut for the Color Picker

      • Choose colors in the toolbox

      • Choose colors with the Eyedropper tool

      • Adobe Color Picker overview

        • Display the Color Picker

      • Choose a color with the Adobe Color Picker

        • Choose a color using the HSB model

        • Choose a color using the RGB model

        • Choose a color using the Lab model

        • Choose a color using the CMYK model

        • Choose a color by specifying a hexadecimal value

      • Choose a color while painting

      • Choose web-safe colors

        • Select web-safe colors in the Adobe Color Picker

        • Change a non-web color to a web-safe color

        • Select a web-safe color using the Color panel

      • Choose a CMYK equivalent for a non-printable color

      • Choose a spot color

        • Spot color libraries

    • Customize indexed color tables

      • Customize indexed color tables

      • Edit colors and assign transparency with a color table

      • Choose a predefined color table

      • Save and load color tables

    • Image information

      • Work with the Info panel

        • Use the Info panel

        • Change the Info panel options

      • Display file information in the document window

    • About color

      • Understanding color

      • Color models, spaces, and modes

      • Adjust color hue, saturation, and brightness

    • Color and monochrome adjustments using channels

      • Mix color channels

        • Mix color channels

        • Create monochrome images from RGB or CMYK images

        • Create a hand-tinted appearance for specific image elements

    • Choose colors in the Color and Swatches panels

      • Color panel overview

        • Change the color model of the Color panel sliders

        • Change the spectrum displayed in the Color panel

      • Select a color in the Color panel

      • Select a color in the Swatches panel

    • Sample

      • Sample

    • Color mode or Image mode

      • Color mode or Image mode

    • Color cast

      • Color cast

    • Add swatches from HTML CSS and SVG

  • Chapter 7: Layers

    • Layer basics

      • About Photoshop layers

      • Introduction to layers

      • Photoshop Layers panel overview

      • Convert background and Photoshop layers

      • Video tutorial: Turn the background layer into a regular layer

      • Duplicate Photoshop layers

        • Duplicate a Photoshop layer or group within an image

        • Duplicate a Photoshop layer or group in another image

        • Create a new document from a Photoshop layer or group

      • Sample from all visible Photoshop layers

      • Change transparency preferences

    • Nondestructive editing

      • Techniques for nondestructive editing

    • Create and manage layers and groups

      • Create layers and groups

      • View layers and groups within a group

      • Show or hide a layer, group, or style

      • Copy/paste layers

        • Copy-paste commands

        • Considerations for copy/pasting layers containing paths

        • Copy behaviors

        • Paste behaviors

        • Copy Merged

    • Select, group, and link layers

      • Select layers

        • Select layers in the Layers panel

        • Select layers in the document window

        • Select a layer in a group

      • Group and link layers

        • Group and ungroup layers

        • Add layers to a group

        • Link and unlink layers

      • Show layer edges and handles

        • Display the edges of content in a selected layer

        • Display transform handles in a selected layer

    • Mask layers

    • Video tutorial: Mask out part of an image

    • Video tutorial: Remove a person from the background with masking

      • About layer and vector masks

      • Add layer masks

        • Add a mask that shows or hides the entire layer

        • Add a layer mask that hides part of a layer

        • Create a mask from layer transparency

        • Apply a layer mask from another layer

      • Unlink layers and masks

      • Disable or enable a layer mask

      • Apply or delete a layer mask

      • Select and display the layer mask channel

      • Change the layer mask rubylith color or opacity

      • Adjust mask opacity and edges

        • Change mask density

        • Feather mask edges

        • Refine mask edges

    • Layer opacity and blending

      • Specify overall and fill opacity for selected layers

      • Specify a blending mode for a layer or group

      • Group blend effects

      • Exclude channels from blending

      • Specify a tonal range for blending layers

      • Fill new layers with a neutral color

    • Apply Smart Filters

    • Video tutorial: Learn Photoshop Smart filters

      • Apply a Smart Filter

      • Edit a Smart Filter

        • Edit Smart Filter settings

        • Edit Smart Filter blending options

      • Hide Smart Filters

      • Reorder, duplicate, or delete Smart Filters

        • Reorder Smart Filters

        • Duplicate Smart Filters

        • Delete Smart Filters

      • Mask Smart Filters

        • Mask Smart Filter effects

        • Change filter mask opacity or feather mask edges

        • Invert a filter mask

        • Display only the filter mask

        • Move or copy filter masks

        • Disable a filter mask

        • Delete a Smart Filter mask

        • Add a filter mask

    • Layer comps

    • Video tutorial: Improved layer comps

      • Create a layer comp

      • Apply and view layer comps

      • Change and update a layer comp

      • Layer comps in Smart Objects

      • Clear layer comp warnings

      • Delete a layer comp

      • Export layer comps

    • Move, stack, and lock layers

      • Change the stack order of layers and groups

      • Move the content of layers

      • Rotate a layer

      • Lock layers

        • Lock all properties of a layer or group

        • Partially lock a layer

        • Apply lock options to selected layers or a group

    • Mask layers with vector masks

    • Manage layers and groups

      • Rename a layer or layer group

      • Assign a color to a layer or group

      • Rasterize layers

      • Delete a layer or group

      • Export layers

      • Merging layers

        • Merge two layers or groups

        • Merge layers in a clipping mask

        • Merge all visible layers and groups in an image

        • Stamp multiple layers or linked layers

        • Flatten all layers

    • Layer effects and styles

      • Apply preset styles

        • Display the Styles panel

        • Apply a preset style to a layer

        • Apply a style from another layer

        • Change how preset styles are displayed

      • Layer Style dialog box overview

      • Apply or edit a custom layer style

        • Change style defaults to custom values

      • Layer style options

      • Modify layer effects with contours

        • Create a custom contour

        • Load a contour

        • Delete a contour

      • Set a global lighting angle for all layers

      • Display or hide layer styles

        • Hide or show all layer styles in an image

        • Expand or collapse layer styles in the Layers panel

      • Copy layer styles

        • Copy layer styles between layers

        • Copy layer styles between layers by dragging

      • Scale a layer effect

      • Remove layer effects

        • Remove an effect from a style

        • Remove a style from a layer

      • Convert a layer style to image layers

      • Create and manage preset styles

        • Create a new preset style

        • Rename a preset style

        • Delete a preset style

        • Save a set of preset styles as a library

        • Load a library of preset styles

    • Edit layer masks

    • Extract assets

      • Extract layers or layer groups

      • Specify asset resolutions

        • Automatically generate assets

      • Share with developers

      • Common errors

    • Reveal layers with clipping masks

      • Create a clipping mask

      • Remove a layer from a clipping mask

      • Release all layers in a clipping mask

    • Generate image assets from layers

    • Video: Generate web assets in Photoshop CC

      • Generate image assets from layers or layer groups

        • Generate multiple assets from a layer or layer group

        • Save assets to a subfolder

      • A web design use case

      • Specify quality and size parameters

        • Parameters for JPEG assets

        • Parameters for PNG assets

        • Parameters for GIF assets

        • Construct complex layer names

      • Specify default settings for assets

      • Disable image asset generation for all documents

      • FAQ

      • Video: Create an Edge Reflow project from Photoshop Generator

    • Work with Smart Objects

    • Video tutorial: Linked Smart Objects

      • Understand Smart Objects

        • Smart Object benefits

      • Create embedded Smart Objects

      • Create Linked Smart Objects | Photoshop CC

        • File size savings using Linked Smart Objects

        • Update Linked Smart Objects

        • Resolve a broken Smart Object link

        • View Linked Smart Object properties

        • Embed Linked Smart Objects

        • Package Linked Smart Objects

        • How Photoshop locates linked files

      • Convert an embedded Smart Object to a Linked Smart Object

      • Filter the Layers panel by Smart Objects | Photoshop CC

      • Duplicate an embedded Smart Object

      • Edit the contents of a Smart Object

      • Replace the contents of a Smart Object

      • Convert an embedded or linked Smart Object to a layer

      • Export the contents of an embedded Smart Object

    • Combine multiple images into a group portrait

    • Combine images with Auto-Blend Layers

      • The Auto-Blend Layers command

      • Depth of field blending

    • Align and distribute layers

      • Align objects on different layers

      • Video tutorial: Align objects in a design

      • Distribute layers and groups evenly

      • Automatically align image layers

    • Copy CSS from layers

    • Load selections from a layer or layer mask's boundaries

    • Knockout to reveal content from other layers

      • Create a knockout

    • Layer

      • Layer

    • Flattening

      • Flattening

    • Composite

      • Composite

    • Background

      • Background

        • Background vs. background layer

  • Chapter 8: Selections

    • Select And Mask workspace

      • Launch the Select And Mask workspace

      • Community video: Use the Select And Mask workspace

      • User interface

        • Tools at a glance

        • Options bar

      • Refine the selection

        • View Mode settings

        • Edge Detection settings

        • Global Refinement settings

        • Output Settings

      • Community video: Mask hair using Select And Mask

      • More like this

    • Make quick selections

      • Select Subject

      • Quick Selection tool

      • Magic Wand tool

      • Video tutorial: Select part of a photo

    • Make selections

      • About selecting pixels

      • Video tutorial: Select part of an image

      • Video tutorial: Making fine hair selections

      • Video tutorial: A selection tip

      • Select, deselect, and reselect pixels

        • Select all pixels on a layer within the canvas boundaries

        • Deselect selections

        • Reselect the most recent selection

    • Select with the marquee tools

    • Video tutorial: Select part of an image

    • Select with the lasso tools

      • Select with the Lasso tool

      • Select with the Polygonal Lasso tool

      • Select with the Magnetic Lasso tool

    • Select a color range in an image

      • Select a range of colors

      • Video tutorial: Adjust skin tones

      • Save Skin Tones settings as a preset

    • Adjust pixel selections

      • Move, hide, or invert a selection

        • Move a selection border

        • Control the movement of a selection

        • Hide or show selection edges

        • Select the unselected parts of an image

      • Adjust selections manually

        • Add to a selection or select an additional area

        • Subtract from a selection

        • Select only an area intersected by other selections

      • Expand or contract a selection by a specific number of pixels

      • Create a selection around a selection border

      • Expand a selection to include areas with similar color

      • Clean up stray pixels in a color-based selection

      • Refine selection edges

      • Video tutorial: Make perfect selections

        • Edge Detection

        • Adjust Edge

        • Output

      • Soften the edges of selections

        • Select pixels using anti-aliasing

        • Define a feathered edge for a selection tool

        • Define a feathered edge for an existing selection

      • Remove fringe pixels from a selection

        • Decrease fringe on a selection

        • Remove a matte from a selection

    • Extract an object from its background

      • Use the more effective and flexible Refine Edge command

      • Adobe recommends

    • Convert between paths and selection borders

      • Convert paths to selection borders

        • Convert a path to a selection border using the current settings

        • Convert a path to a selection border and specify settings

      • Convert a selection to a path

    • Channel basics

      • About channels

      • Channels panel overview

        • Display the Channels panel

        • Resize or hide channel thumbnails

      • Show or hide a channel

      • Show color channels in color

      • Select and edit channels

      • Rearrange and rename alpha and spot channels

      • Delete a channel

    • Move, copy, and delete selected pixels

      • Move a selection

      • Copy and paste selections

        • Understanding the Copy and Paste commands

        • Copy a selection

        • Copy a selection while dragging

        • Create multiple copies of a selection within an image

        • Paste one selection into or outside another

      • Copy and paste between applications

        • Paste PostScript artwork into Photoshop from another application

        • Save clipboard contents when you quit Photoshop

        • Copy artwork from Illustrator by dragging and dropping

      • Delete or cut selected pixels

    • Create a temporary quick mask

      • Creating and editing a quick mask

      • Change Quick Mask options

    • Save selections and alpha channel masks

    • Video tutorial: Mask out part of an image

      • About masks and alpha channels

      • Create and edit alpha channel masks

        • Create an alpha channel mask using current options

        • Create an alpha channel mask and set options

        • Edit channel options

        • Paint on a channel to mask image areas

      • Save and load selections

        • Save a selection to a new channel

        • Save a selection to a new or existing channel

        • Load a saved selection from the Channels panel

        • Load a saved selection

    • Select the image areas in focus

    • Duplicate, split, and merge channels

      • Duplicate channels

        • Duplicate a channel

        • Duplicate a channel in an image

        • Duplicate a channel in another image

      • Split channels into separate images

      • Merge channels

    • Channel calculations

      • Blend layers and channels

      • Blend channels with the Apply Image command

      • Blend channels with the Calculations command

      • Add and Subtract blending modes

    • Selection

      • Selection

    • Bounding box

      • Bounding box

  • Chapter 9: Image adjustments

    • Perspective warp

      • Background

      • Prerequisite: Enable the graphics processor

      • Adjust perspective

        • Define planes

        • Manipulate the planes

        • Keyboard shortcuts

      • Enhance landscapes using Perspective Warp

      • Video tutorial

      • FAQ

    • Reduce camera shake blurring

    • Video | Using the camera shake reduction filter

      • Images suitable for camera shake reduction

      • Use automatic camera shake reduction

      • Use multiple blur traces for camera shake reduction

        • Create and modify blur traces

        • Resize/reposition the boundaries of the current region in focus

        • Have Photoshop suggest a new region for blur estimation

        • Manually select a new image region

        • Create a blur trace using the Blur Direction Tool

        • Modify a blur trace using the Detail loupe

        • Preview and apply multiple blur traces

        • Preview and compare the results of two blur traces

        • Duplicate a blur trace

        • Reuse blur traces

      • Advanced blur trace settings

        • Blur Trace Bounds

        • Source Noise

        • Smoothing

        • Artifact Suppression

    • Healing brush examples

      • Diffusion slider control

      • Examples: Photoshop healing in action

        • Example 1

        • Example 2

        • Example 3

        • Example 4

        • Example 5

        • Example 6

        • Example 7

        • Example 8

        • Example 9

    • Export color lookup tables

      • Export lookup tables

        • Considerations for exporting to different formats

    • Adjust image sharpness and blur

    • Video | Sharpening in Photoshop CC

    • Video | Selective focus in Photoshop

      • Sharpening recommendations

      • Sharpen using Smart Sharpen

      • Sharpen using Unsharp Mask

      • Sharpen selectively

        • Sharpen a selection

        • Sharpen an image using an edge mask

      • Add lens blur

      • Blur image areas

      • Sharpen image areas

    • Understand color adjustments

      • Before making color and tonal adjustments

      • Correcting images

      • Adjustments panel overview

        • Apply a correction using the Adjustments panel

        • Apply a correction to only the layer below

        • Save and apply adjustment presets

        • Automatically select text fields or the targeted adjustment tool

      • Color adjustment commands

      • Make a color adjustment

      • Save adjustment settings

      • Reapply adjustment settings

      • Correcting colors in CMYK and RGB

      • Identify out-of-gamut colors

        • Find out-of-gamut colors

        • Change the gamut warning color

    • Apply a Brightness/Contrast adjustment

      • Apply the Brightness/Contrast adjustment

    • Adjust shadow and highlight detail

    • From an expert: Shadows/Highlights

      • Improve shadow and highlight detail

        • Adjust image shadows and highlights

        • Shadow/Highlight command options

    • Levels adjustment

      • Levels overview

      • Video tutorial: Improving tonal quality with Levels

      • Adjust tonal range using Levels

      • Adjust color using Levels

      • Add contrast to a photo with Levels

    • Adjust hue and saturation

      • Apply a Hue/Saturation adjustment

        • Specify the range of colors adjusted using Hue/Saturation

        • Colorize a grayscale image or create a monotone effect

      • Adjust color saturation using Vibrance

      • From an expert: Vibrance adjustment layer

      • Adjust color saturation in image areas

    • Make quick tonal adjustments

      • Apply the Auto Contrast adjustment

      • Remove a color cast using Auto Color

      • Set Auto adjustment options

      • Video tutorial: Auto corrections

      • Using the Equalize command

      • Adjust black and white points with the Auto option

    • Apply special color effects to images

      • Desaturate colors

      • Invert colors

      • Create a two-valued black and white image

      • Posterize an image

      • Apply a gradient map to an image

    • Apply the Color Balance adjustment

      • Apply the Color Balance adjustment

      • Change the color balance using the Photo Filter command

    • View histograms and pixel values

      • About histograms

      • Histogram panel overview

        • Adjust the view of the Histogram panel

        • View a specific channel in the histogram

        • View channel histograms in color

        • View histogram statistics

      • View the histogram for a multilayered document

      • Preview histogram adjustments

      • Refresh the histogram display

      • View color values in an image

      • View color information while adjusting color

      • Adjusting color samplers

        • Move or delete a color sampler

        • Hide or show color samplers in an image

        • Change the display of color sampler information in the Info panel

    • Match, replace, and mix colors

      • Match colors

        • Match the color in different images

        • Match the color between two images

        • Match the color of two layers in the same image

        • Save and apply settings in the Match Color command

      • Replace colors

        • Replace the color of objects in an image

        • Video tutorial: Change the color of an object

        • Apply a Hue/Saturation adjustment to selected objects

        • Use the Replace Color dialog box

        • Use the Color Replacement tool

      • Mix colors selectively

        • Make selective color adjustments

    • Convert a color image to black and white

    • Video tutorial: Creative black and white

    • Video | Black and White adjustment layer

    • Adjustment and fill layers

      • About adjustment and fill layers

      • Create and confine adjustment and fill layers

        • Create an adjustment layer

        • Create a fill layer

        • Confine adjustment and fill layers to specific areas

      • Edit or merge adjustment and fill layers

        • Editing adjustment and fill layers

        • Change adjustment and fill layer options

        • Merging adjustment or fill layers

    • Curves adjustment

      • Curves overview

      • Video tutorial: Increase midtone contrast with curves

      • Adjust image color and tone with Curves

        • Removing control points from a curve

        • Set Curve display options

        • Apply an Auto correction in Curves

        • Set black and white points using the black point and white point sliders

      • Add contrast to the midtones of a photo with Curves

      • Keyboard shortcuts: Curves

    • Target images for press

      • Setting highlight and shadow target values

      • Using Levels to preserve highlight and shadow details for printing

      • Set target values using the eyedroppers

    • Adjust color and tone with Levels and Curves eyedroppers

      • Set black and white points using the Eyedropper tools

      • Color correct using the eyedroppers

    • Adjust HDR exposure and toning

    • Filter

      • Filter

    • Blur

      • Blur

    • Dodge or burn image areas

  • Chapter 10: Adobe Camera Raw

    • New features summary

      • Adobe Camera Raw 10.1

        • Enhanced 'Auto' to automatically apply the best edits in your photos

      • Adobe Camera Raw 10.0

        • Quick selections with Color and Luminance Range Masking

      • Support for new cameras and lenses

    • Introduction to Camera Raw

      • About camera raw files

      • About Adobe Camera Raw

      • About the Digital Negative (DNG) format

      • Process images with Camera Raw

      • Camera Raw dialog box overview

      • Preview images

      • Video tutorial: Compare Camera Raw adjustments before and after

      • Work with the Camera Raw cache in Adobe Bridge

      • Work with Camera Raw and Lightroom

    • Create panoramas

    • Default keyboard shortcuts

    • Vignette, grain, and dehaze effects in Camera Raw

      • Simulate film grain

      • Apply a postcrop vignette

      • Dehaze

    • Automatic perspective correction in Camera Raw

      • Manually correcting lens distortion using Upright presets

      • Sample images

    • Radial Filter in Camera Raw

      • Apply a Radial Filter to enhance a photo

      • Modify a Radial Filter instance using brush controls

      • Keyboard shortcuts and modifiers for the Radial Filter tool

    • Manage Camera Raw settings

      • Save image states as snapshots

      • Save, reset, and load Camera Raw settings

      • Specify where Camera Raw settings are stored

      • Copy and paste Camera Raw settings

      • Apply saved Camera Raw settings

      • Export Camera Raw settings and DNG previews

      • Specify Camera Raw workflow options

    • Open, process, and save images in Camera Raw

      • Process, compare, and rate multiple images

      • Automate image processing

      • Open images

      • Save a camera raw image in another format

    • Repair images with the Enhanced Spot Removal tool in Camera Raw

      • Use the Spot Removal tool

        • Keyboard shortcuts and modifiers

      • Clean up a photo with the Visualize Spots feature

    • Rotate, crop, and adjust images

      • Rotate images

      • Straighten images

        • Automatically straighten an image

      • Crop images

      • Correct red eyes

      • Remove spots

    • Adjust color rendering for your camera in Camera Raw

      • Apply a camera profile to images

      • Apply a profile to a group of images

      • Create a camera profile preset

      • Customize profiles using the DNG Profile Editor

    • New features summary

      • Adobe Camera Raw 9.12

      • Adobe Camera Raw 9.10

        • Support for new cameras and lenses

      • Adobe Camera Raw 9.9

        • Support for new cameras and lenses

      • Adobe Camera Raw 9.8

        • Support for new cameras and lenses

      • Adobe Camera Raw 9.7

        • Support for pressure-sensitive devices

        • Support for new cameras and lenses

      • Adobe Camera Raw 9.6

        • Guided Upright to correct distorted perspective in photos

        • Support for new cameras and lenses

      • Adobe Camera Raw 9.5

        • User interface improvements

        • Support for new cameras and lenses

      • Adobe Camera Raw 9.4

        • Boundary Warp while previewing merged panoramas

        • Metadata improvements to merged panoramas

      • Adobe Camera Raw 9.3

      • Adobe Camera Raw 9.2

        • Dehaze as a local adjustment

        • Navigate quickly across an image

      • Adobe Camera Raw 9.1

        • Dehaze

        • Local adjustments: Whites and Blacks sliders

      • Adobe Camera Raw 9.0

        • GPU acceleration

        • HDR photo merge

        • Panorama merge

        • What's changed

  • Chapter 11: Image repair and restoration

    • Content-Aware Patch and Move

      • Content-Aware Patch

      • Video | Fix photos with Content-Aware

      • Content-Aware Move

      • From an expert: Using Content-Aware Move and Fill

    • Retouch and repair photos

      • About the Clone Source panel

      • Retouch with the Clone Stamp tool

      • Set sample sources for cloning and healing

        • Scale or rotate the sample source

        • Adjust the sample source overlay options

        • Specify the clone source offset

      • Retouch with the Healing Brush tool

      • Retouch with the Spot Healing Brush tool

      • Video | Retouching cars in Photoshop

      • Patch an area

        • Repair an area using sampled pixels

        • Repair an area using a pattern

      • Remove red eye

      • Video | Removing red eye and whitening teeth

      • Video | Light correction & removing unwanted objects

    • Correct image distortion and noise

      • About lens distortion

      • Correct lens distortion and adjust perspective

        • Automatically correct image perspective and lens flaws

        • Manually correct image perspective and lens flaws

        • Adjust the Lens Correction preview and grid

        • Save settings and set camera and lens defaults

      • Reduce image noise and JPEG artifacts

  • Chapter 12: Image transformations

    • Transform objects

    • Video tutorial: Free Transform command

      • Apply transformations

      • Video tutorial: Tips for working with vectors in Photoshop

      • Select an item to transform

      • Set or move the reference point for a transformation

      • Scale, rotate, skew, distort, apply perspective, or warp

      • Flip or rotate precisely

      • Repeat a transformation

      • Duplicate an item when transforming it

    • Adjust crop, rotation, and canvas size

    • Video | Cropping and straightening photos

      • Crop and straighten scanned photos

      • Straighten an image

      • Rotate or flip an entire image

      • Change the canvas size

      • Make a frame by increasing the canvas size

    • Crop and straighten photos

      • Crop a photo

      • Content-Aware Fill on Crop

      • Straighten a photo while cropping

      • Transform perspective while cropping

      • Resize the canvas using the Crop tool

    • Create and edit panoramic images

      • Create panoramic images with Photomerge

        • About Photomerge

        • Take pictures for Photomerge

        • Create a Photomerge composition

      • Create 360-degree panoramas

      • Edit panoramas

        • Rotate the camera view around

        • Adjust the field of view

        • Paint on the panorama

    • Warp images, shapes, and paths

      • Warp an item

      • Puppet Warp

    • Vanishing Point

      • Vanishing Point dialog box overview

        • Vanishing Point tools

        • Magnify or reduce the preview image

        • Move the image in the preview window

      • Work in Vanishing Point

      • Export measurements, textures, and 3D information

      • About perspective planes and the grid

      • Define and adjust perspective planes in Vanishing Point

        • Create related perspective planes

        • Bounding box and grid alerts in Vanishing Point

        • Show or hide the grid, active selections, and perspective plane boundaries

        • Adjust the spacing of the perspective plane grid

      • Render grids to Photoshop

      • About selections in Vanishing Point

        • Make selections in Vanishing Point

        • Move selections in Vanishing Point

        • Move, rotate and scale floating selections

      • Fill selections with another area of an image

      • Copy selections in Vanishing Point

      • Paste an item into Vanishing Point

      • Paint with a color in Vanishing Point

      • Paint with sampled pixels in Vanishing Point

      • Measure in Vanishing Point

        • Measure objects in an image

        • Automatically drawing a measurement in Vanishing Point

        • Move a measurement in Vanishing Point

        • Change the length or orientation of a measurement

        • Delete a measurement in Vanishing Point

        • Show or hide measurements in Vanishing Point

        • Render measurements in Photoshop

    • Use the Liquify filter

      • Liquify filter overview

        • Magnify or reduce the preview image

        • Navigate in the preview image

      • Liquify filter enhancements (Creative Cloud only)

      • Applying Liquify as a smart filter (Creative Cloud only)

      • Face-Aware Liquify

        • Prerequisite: Enable the graphics processor

        • Adjust facial features using on-screen handles

        • Adjust facial features using sliding controls

        • Useful considerations

      • Distortion tools

        • Distortion tool options

      • Distort an image

      • Freeze and thaw areas

        • Freeze areas

        • Mask options with the Liquify filter

        • Thaw areas

      • Work with meshes

      • Work with backdrops

      • Reconstruct distortions

        • Reconstruct an entire image

        • Remove all distortions

        • Reconstruct part of a distorted image

    • Content-aware scaling

      • Resize images and protect content

      • Preserve visual content when scaling images

      • Specify content to protect when scaling

    • Free transformations of images, shapes, and paths

      • Transform freely

    • Warp

      • Warp

    • Transform

      • Transform

    • Panorama

      • Panorama

  • Chapter 13: Drawing and painting

    • Modify shapes

      • Modify rectangles and rounded rectangles

      • Video | Design improvements in Photoshop CC

      • Set shape stroke options

        • Save stroke settings

        • Copy and paste shape stroke settings

    • About drawing

      • Understand shapes and paths

      • Drawing modes

    • Draw shapes

    • Draw shapes in Photoshop

      • Create a shape on a shape layer

      • Videos | Create, edit, and work

      • Draw multiple shapes in a layer

      • Draw a wheel shape

      • Draw a custom shape

      • Save a shape or path as a custom shape

      • Create a rasterized shape

      • Shape tool options

      • Edit shapes

    • Painting tools

      • About painting tools, presets, and options

      • From an expert: Brushes 101

      • Paint with the Brush tool or Pencil tool

      • Paint tool options

      • Stroke smoothing

      • Selecting a cursor preference

    • Create and modify brushes

      • Brush Settings panel overview

        • Display the Brush panel and brush options

      • Import brushes and brush packs

      • Getting started with advanced custom brushes

      • Create a brush tip from an image

      • Create a brush and set painting options

      • Standard brush tip shape options

      • Bristle tip shape options

      • Erodible tip options

      • Airbrush tip options

      • Brush pose options

      • Other brush options

      • Stroke smoothing

      • Brush scattering

      • Clear brush options

    • Add color to paths

      • Fill paths with color

        • Fill a path using the current Fill Path settings

        • Fill a path and specify options

      • Stroke paths with color

        • Stroke a path using the current Stroke Path options

        • Stroke a path and specify options

    • Edit paths

      • Path segments, components, and points

      • Select a path

        • Select multiple paths | Photoshop CC

      • Reorder paths

      • Duplicate paths

      • Specify path options

      • Adjust path segments

        • Move straight segments

        • Adjust the length or angle of straight segments

        • Adjust the position or shape of curved segments

        • Delete a segment

        • Delete the direction line of an anchor point

        • Extend an open path

        • Connect two open paths

        • Move or nudge anchor points or segments using the keyboard

      • Add or delete anchor points

        • Add or delete anchor points

        • Disable or temporarily override automatic Pen tool switching

      • Convert between smooth points and corner points

      • Adjust path components

        • Change the overlap mode for the selected path component

        • Show or hide the selected path component

        • Move a path or path component

        • Reshape a path component

        • Merge overlapping path components

        • Copy a path component or path

        • Copy path components between two Photoshop files

        • Delete a path component

        • Align and distribute path components

        • Video tutorial: Tips for working with vectors in Photoshop

    • Paint with the Mixer Brush

      • Paint with the Mixer Brush

      • Stroke smoothing

    • Brush presets

      • Select a preset brush

      • Manage brushes and brush presets

        • Rename a preset brush

        • Delete a preset brush

      • Import brushes and brush packs

      • Getting started with advanced custom brushes

      • Create a new preset brush

    • Gradients

      • Apply a gradient fill

      • Manage gradient presets

        • Save a set of preset gradients as a library

        • Load a library of preset gradients

        • Return to the default library of preset gradients

        • Change how preset gradients are displayed

        • Rename a preset gradient

      • Gradient Editor overview

      • Create a smooth gradient

      • Specify the gradient transparency

      • Create a noise gradient

    • Fill and stroke selections, layers, and paths

      • Fill with the Paint Bucket tool

      • Fill a selection or layer with color

      • Use Content-aware, pattern, or history fills

      • Fill the work canvas

      • Stroke a selection or layer with color

      • Draw a circle or square

    • Draw with the Pen tools

      • Use the Curvature Pen tool

        • Tips for working with the Curvature Pen tool

      • Use the standard Pen tool

        • Draw straight line segments

        • Draw curves with the standard Pen tool

        • Draw straight lines followed by curves

        • Draw curves followed by straight lines

        • Draw two curved segments connected by a corner

        • Finish drawing a path

        • Settings in the Options bar

      • Use the Freeform Pen tool

      • Draw using the magnetic pen options

    • Create patterns

      • Define an image as a preset pattern

    • Generate a pattern using the Pattern Maker

    • Manage paths

      • Paths panel overview

        • Select a path

        • Deselect a path

        • Change the size of path thumbnails

        • Change a path’s stacking order

      • Create a new path in the Paths panel

      • Create a new work path

      • Path options

      • Manage paths

        • Save a work path

        • Rename a saved path

        • Delete a path

    • Manage pattern libraries and presets

    • Draw or paint with a graphics tablet

      • Change brush size and opacity with pen pressure

    • Create textured brushes

      • Textured brush options

      • Copy textures between tools

      • Dual brushes

    • Add dynamic elements to brushes

      • Add brush dynamics

        • Brush shape dynamics

      • Color dynamics brush options

      • Transfer brush options

    • Gradient

      • Gradient

    • Paint stylized strokes with the Art History Brush

    • Paint with a pattern

      • Paint with a pattern

  • Chapter 14: Text

    • Work with OpenType SVG fonts

      • Emoji fonts

        • Create composite glyphs

    • Format characters

      • Select characters

      • Character panel and dynamic shortcuts overview

      • Specify type size and color

        • Choose a type size

        • Define the point size unit

        • Change the type color

        • Change the color of individual letters

      • Text treatments in the Character panel

        • Underline or strike through text

        • Apply all caps or small caps

        • Specify superscript or subscript characters

      • Character styles

        • Create a character style

        • Edit a character style

        • Specifying default type styles | Creative Cloud only

    • Format paragraphs

      • Format paragraphs

      • Paragraph panel overview

      • Specify alignment

      • Specify justification for paragraph type

      • Adjust word and letter spacing in justified text

      • Indent paragraphs

      • Adjust paragraph spacing

      • Specify hanging punctuation for Roman fonts

      • Adjust hyphenation automatically

      • Prevent words from breaking

      • Composition methods

      • Paragraph styles | CC, CS6

        • Create a paragraph style

        • Edit a paragraph style

    • Create type effects

      • Create type along or inside a path

        • Enter type along a path

        • Move or flip type along a path

        • Enter type inside a closed path

        • Move a path with type

        • Change the shape of a path with type

      • Warp and unwarp type

        • Warp type

        • Unwarp type

      • Create a work path from type

      • Convert type to shapes

      • Create a type selection border

      • Add a drop shadow to text

      • Fill type with an image

    • Edit text

      • Edit text

      • Specify curly or straight quotes

      • Apply anti-aliasing to a type layer

      • Check and correct spelling

      • Find and replace text

      • Assign a language for text

      • Scale and rotate type

        • Adjust the scale of type

        • Rotate type

        • Rotate vertical type characters

      • Change the orientation of a type layer

      • Rasterize type layers

    • Line and character spacing

      • Set leading

        • Set the leading

        • Change the default auto leading percentage

      • Kern and track

        • Adjust kerning

        • Adjust tracking

      • Shift the baseline

      • Turn fractional character widths off or on

    • Arabic and Hebrew type

    • How to access Arabic and Hebrew features in Photoshop

      • Enable Middle Eastern features

      • Text direction

      • Digit types

      • Automatic Kashida insertion

      • Ligatures (OpenType fonts)

      • Justification alternates

    • Fonts

      • About fonts

      • Preview fonts

      • Match Fonts

        • Best practices for selecting text for font matching

      • Search for fonts

        • Tools for searching fonts

      • Choose a font and font style

      • Change the font on multiple layers

      • About missing fonts and glyph protection

      • OpenType fonts

        • Apply OpenType features

      • OpenType SVG fonts

      • OpenType variable fonts

    • Work with Typekit fonts

      • Add fonts from Typekit

      • Filter by fonts from Typekit

      • Replace missing fonts with fonts from Typekit

    • Asian type

      • Display and set Asian type options

      • Reduce spacing around Asian type characters

      • Specify how leading is measured in Asian type

      • Use tate-chu-yoko

      • Align Asian characters with mojisoroe

      • Specify left and right underlining with Asian type

      • Set Asian OpenType font attributes

      • Asian OpenType options

      • Choose a mojikumi set

      • Set kinsoku shori options

        • Disable or enable kinsoku shori for a paragraph

        • Specify a kinsoku line-breaking option

      • Specify a burasagari option

    • Create type

      • About type layers

      • Entering type

      • Enter point type

      • Enter paragraph type

      • Paste lorem-ipsum placeholder text

      • Resize or transform a type bounding box

      • Convert between point type and paragraph type

  • Chapter 15: Video and animation

    • Video editing | CC, CS6

    • Video | Walk through a video project

      • Timeline video creation

        • Video Groups

        • Create a Video Group

        • Edit a Video Group

        • Audio tracks and controls

        • Adjust audio in clips

        • Create or delete audio tracks

        • Add, duplicate, delete, or replace audio clips

        • Video transitions

        • Change video clip duration and speed

      • Apply filters to video layers

      • Apply motion effects to text, still images, and Smart Objects

      • Import a wider range of file formats

      • Export final video with the Adobe Media Encoder

    • Edit video and animation layers

      • Transform video layers

      • Create new video layers

        • Open a video file

        • Add a video file as a new video layer

        • Add a blank video layer

      • Specify when a layer appears in a video or animation

      • Trim or move a video layer

      • Lift work area

      • Extract work area

      • Split video layers

      • Group layers in a video or animation

      • Rasterize video layers

      • Video tutorial: How to create animated GIFs

    • Video and animation overview

      • About video layers

      • Supported video and image sequence formats

      • Animation panel overview

        • Frame mode controls

        • Timeline mode controls

        • Change thumbnail size

        • Switch timeline units

        • Show or hide layer properties in the timeline

        • Show or hide layers in the timeline

        • Navigate the timeline

      • Switch animation modes

      • Specify timeline duration and frame rate

    • Preview video and animations

      • Preview a frame animation

      • Set the timeline area to preview

      • Previewing video or timeline animations

        • Preview a video or timeline animation

        • Preview audio for video layers

        • Enable frame skipping

      • Preview your document on a video monitor

    • Paint frames in video layers

      • Paint frames in video layers

      • Cloning content in video and animation frames

        • Clone video or animation content

        • Change frame offset for cloning or healing

      • Restore frames in video layers

      • Managing color in video layers

    • Import video files and image sequences

      • Open or import a video file

      • Import image sequences

      • Place a video or image sequence

      • Reload footage in a video layer

      • Replace footage in a video layer

      • Interpreting video footage

        • Interpret video footage

        • Alpha channel interpretation in video and image sequences

    • Create frame animations

      • Frame animation workflow

      • Add frames to an animation

      • Select animation frames

        • Select one animation frame

        • Select multiple animation frames

      • Edit animation frames

      • Unify layer properties in animation frames

        • Unify layer properties

        • Propagate Frame 1

        • Show or hide unify layers buttons

      • Copy frames with layer properties

      • Create frames using tweening

      • Add a new layer for each new frame

      • Hide layers in animation frames

      • Specify a delay time in frame animations

      • Choose a frame disposal method

      • Specify looping in frame animations

      • Delete an entire animation

    • Create timeline animations

      • Timeline animation workflow

      • Use keyframes to animate layer properties

        • Choose interpolation method

        • Move the current-time indicator to a keyframe

        • Select keyframes

        • Move keyframes

        • Copy and paste keyframes

        • Delete keyframes

      • Create hand-drawn animations

      • Insert, delete, or duplicate blank video frames

      • Specify onion skin settings

      • Open a multilayer animation

    • Create images for video

      • About creating images for video

      • Aspect ratio

      • Create an image for use in video

      • Load video actions

      • Adjust pixel aspect ratio

        • Assign a pixel aspect ratio value to an existing document

        • Create a custom pixel aspect ratio

        • Delete a pixel aspect ratio

        • Reset the pixel aspect ratios

      • Prepare images for use in After Effects

  • Chapter 16: Filters and effects

    • Use the Blur Gallery

      • Field blur

      • Iris blur

      • Tilt-Shift

      • Path blur

      • Bring your photos to life with the Path Blur filter in Photoshop

        • Tips for working with the on-image controls

        • Manipulate blur paths and blur shape guides

      • Spin blur

        • Tips for working with the overlay controls

      • Blur effects

      • Restore noise in blurred areas

      • Applying Blur Gallery effects as Smart Filters

        • See also

    • Filter basics

      • Using filters

      • Apply a filter from the Filter menu

      • Filter Gallery overview

        • Display the Filter Gallery

        • Zoom in or out of the preview

        • View another area of the preview

        • Hide filter thumbnails

      • Apply filters from the Filter Gallery

      • Blend and fade filter effects

      • Tips for creating special effects

      • Improve filter performance

    • Filter effects reference

      • List of filters supporting 16-bit/channel and 32-bit/channel documents

      • Video | Hiding sensitive information in images

      • Artistic filters

      • Blur filters

      • Brush Stroke filters

      • Distort filters

      • Noise filters

      • Pixelate filters

      • Render filters

      • Video | Adding & Removing Lens Flare

      • Sharpen filters

      • Sketch filters

      • Stylize filters

      • Texture filters

      • Video filters

      • Other filters

      • Digimarc filters

      • Vanishing Point

    • Add Lighting Effects

      • Apply the Lighting Effects filter

      • From an Expert: Lighting Effects tutorials

      • Lighting Effects types

      • Adjust a Point light in the preview window

      • Adjust an Infinite light in the preview window

      • Adjust a Spot light in the preview window

      • Lighting Effects presets

      • Add or delete a light

      • Create, save, or delete a Lighting Effects preset

      • Apply a Texture channel

    • Use the Adaptive Wide Angle filter

    • From an expert: Adaptive wide angle filter

    • Use the Oil Paint filter

      • Work with the Oil Paint filter

        • Brush sliders

        • Lighting sliders

        • Video | Photoshop's Oil Paint Filter is back

    • Apply specific filters

      • Load images and textures for filters

      • Set texture and glass surface controls

      • Define undistorted areas

      • Apply the Dust And Scratches filter

      • Apply the Displace filter

      • Apply the Color Halftone filter

      • Apply the Extrude filter

      • Apply the Trace Contour filter

      • Create a Custom filter

    • Smudge image areas

  • Chapter 17: Saving and exporting

    • Supported file formats

    • Save files in graphics formats

      • Save in TIFF format

      • Save in JPEG format

      • Save in PNG format

      • Save in GIF format

      • Save in Photoshop EPS format

        • Photoshop EPS encoding options

      • Save in Photoshop DCS format

      • Save in Photoshop Raw format

      • Save in BMP format

      • Save in Cineon format (16-bit images only)

      • Save in Targa format

    • Save images

      • Save a file

        • Save changes to the current file

        • Save a file with a different name, location, or format

        • File saving options

      • Set file saving preferences

        • Mac OS image preview options

      • Save large documents

      • Export layers to files

    • File formats

      • Choosing a file format

      • About file compression

      • Maximize compatibility for PSD and PSB files

      • Photoshop format (PSD)

      • Photoshop 2.0 format

      • Photoshop DCS 1.0 and 2.0 formats

      • Photoshop EPS format

      • Photoshop Raw format

      • Digital Negative format (DNG)

      • BMP format

      • Cineon format

      • DICOM format

      • GIF

      • IFF

      • JPEG format

      • Large Document Format (PSB)

      • OpenEXR format

      • PDF

      • PICT File

      • PICT Resource

      • Pixar format

      • PNG format

      • Portable Bit Map format

      • Radiance format

      • Scitex CT

      • TIFF

      • WBMP format

    • Save and export video and animations

      • Video and animation export formats

      • Optimize animation frames

      • Flatten frames into layers

      • Export video files or image sequences

        • QuickTime export file formats (Photoshop Extended)

        • Understanding QuickTime key frames

        • 3G export settings (Photoshop Extended)

        • FLC export settings (Photoshop Extended)

        • Specify AVI export settings (Photoshop Extended)

        • DV Stream export settings (Photoshop Extended)

        • Image sequence settings for QuickTime export (Photoshop Extended)

        • Specify MPEG4 export settings (Photoshop Extended)

      • Specify QuickTime Movie settings (Photoshop Extended)

        • QuickTime standard video compression settings (Photoshop Extended)

        • QuickTime movie size settings (Photoshop Extended)

    • Save PDF files

      • About Photoshop PDF format

      • Save in Photoshop PDF format

      • Adobe PDF presets

      • About PDF/X and PDF/A standards

      • PDF compatibility levels

      • General options for Adobe PDF

      • Compression and downsampling options for Adobe PDF

      • Color management and PDF/X options for Adobe PDF

      • Add security to PDF files

      • Save an Adobe PDF preset

      • Load, edit, or delete Adobe PDF presets

    • Digimarc copyright protection

      • Read a Digimarc watermark

      • Adding digital copyright information

      • Before adding a digital watermark

      • Embed a watermark

      • Using the Watermark Durability setting

      • Check the signal strength meter

    • Supported file formats

  • Chapter 18: Printing

    • Print 3D objects

      • Preparing to print 3D objects

        • (Experimental) Enable multitone printing for MakerBot Replicator 2x

        • Prerequisite: Enable experimental features

        • Select the multitone surface material

      • Previewing and printing the 3D object

      • 3D print utilities

      • Pack objects on the ground plane

      • FAQ

    • Print from Photoshop

      • Printing basics

      • About desktop printing

      • Print images

        • Set Photoshop print options and print

      • Position and scale images

        • Reposition an image on the paper

        • Scale the print size of an image

      • Print part of an image

      • Print vector data

    • Print with color management

      • Let Photoshop determine printed colors

      • Let printer determine printed colors

      • Print a hard proof

    • Contact Sheets and PDF Presentations

      • Creating a contact sheet

      • Video tutorial: Create a contact sheet

      • Creating a PDF presentation

      • Video | A slideshow tip

    • Print photos in a picture package layout

      • (32-bit CS6 and below only) Place multiple photos into a picture package

      • Customize a picture package layout

    • Print spot colors

      • About spot colors

      • Create a new spot channel

      • Convert an alpha channel to a spot channel

      • Edit a spot channel to add or remove color

      • Change a spot channel’s color or solidity

      • Merge spot channels

      • Adjust overlapping spot colors

    • Duotones

      • About duotones

      • Convert an image to duotone

      • Modify the duotone curve for a given ink

      • Specifying overprint colors

      • Adjust the display of overprint colors

      • Saving and loading duotone settings

      • View the individual colors of a duotone image

      • Printing duotones

      • Exporting duotone images to other applications

    • Print images to a commercial printing press

      • Preparing images for press

      • Set output options

      • Print separations from Photoshop

      • Prepare an image with spot channels for printing from another application

      • Create a color trap

      • Determine scan resolution for printing

        • Estimate scan resolution

        • Calculate the file size before scanning an image

  • Chapter 19: Automation

    • Creating actions

    • Video tutorial: Record actions

      • Guidelines for recording actions

      • Record an action

      • Record a path

      • Insert a stop

      • Change settings when playing an action

      • Exclude commands from an action

      • Insert a non-recordable menu command

      • Edit and rerecord actions

        • Overwrite a single command

        • Add commands to an action

        • Rearrange commands within an action

        • Record an action again

    • Create data-driven graphics

      • Define variables

      • Rename a variable

      • Define a data set

      • Preview or apply a data set

      • Generate graphics using data sets

      • Creating data sets in external files

      • Import a data set

    • Scripting

      • Run a JavaScript

      • Set scripts and actions to run automatically

    • Process a batch of files

    • Video | Using the Image Processor to batch process multiple files

      • Convert files with the Image Processor

      • Process a batch of files

        • Batch-process files

        • Batch-process files in nested folders into different formats

      • Create a droplet from an action

        • Tips for cross-platform droplets

        • Process a file with a droplet

      • Batch and droplet processing options

    • Play and manage actions

      • Play an action on a file

      • Specify playback speed

      • Manage actions

        • Rearrange actions in the Actions panel

        • Duplicate actions, commands, or sets

        • Delete actions, commands, or sets

        • Delete all actions in the Actions panel

        • Rename an action or change options

      • Manage action sets

        • Save a set of actions

        • Load a set of actions

        • Restore actions to the default set

        • Organize action sets

    • Add conditional actions

      • Testing the opposite of what's in the condition

    • About actions and the Actions panel

      • About actions

      • Actions panel overview

        • Expand and collapse sets, actions, and commands

        • View actions by name only

        • Select actions in the Actions panel

    • Record tools in actions

    • From an expert: Tool recording

    • Add a conditional mode change to an action

      • Add a conditional mode change to an action

    • Photoshop UI toolkit for plug-ins and scripts

      • What is changing?

      • List of affected dialogs

      • UI Layout

      • HiDPI support

      • Known issues

  • Chapter 20: 3D and technical imaging

    • Creative Cloud 3D Animation (Preview)

      • The Creative Cloud 3D Animation (Preview) service

      • Adobe Fuse (Beta) and Creative Cloud Libraries

      • Animate the 3D character in Photoshop

        • Walkthrough | 3D character animation

        • Result

    • 3D painting

    • Video | 3D painting - The next level

      • Available 3D painting methods

      • Some tips to paint 3D models

      • Paint an object in the Live 3D Painting mode | Photoshop CC

      • Switch to the Projection Painting mode | Photoshop CC

      • Unwrap UVs of a 3D model

      • Target a texture type for painting | Photoshop CC

      • Paint in the unlit mode | Photoshop CC

      • Reveal surfaces to paint on

      • Set the paint falloff angle

      • Identify paintable areas

    • 3D panel enhancements | Photoshop CC

      • Display the 3D panel

      • Basic interactions

      • Create an instance of a 3D object

        • Decouple an instance from the original object

    • Essential 3D concepts and tools

      • Understand and display 3D files

        • 3D fundamentals

        • Open a 3D file

        • 3D performance and display preferences

      • 3D object and camera tools

        • Move, rotate, or scale a model with 3D object tools

        • Move the 3D camera

        • Change or create 3D camera views

      • 3D Axis

        • Show or hide the 3D Axis

        • Minimize, restore, move, or resize the 3D Axis

        • Move, rotate, or scale selected items with the 3D Axis

    • 3D rendering and saving

      • Change 3D render settings

        • Select a render preset

        • Customize render settings

        • Face options

        • Edge options

        • Vertex options

        • Stereo options

        • Save or delete a render preset

      • Render a 3D file for final output

      • Save and export 3D files

        • Export a 3D layer

        • Limitations while exporting to the U3D format

        • Save a 3D file

    • Create 3D objects and animations

      • Create 3D objects from 2D images

        • Create a 3D postcard

        • Create 3D shapes

        • Create a 3D mesh

      • Create 3D animations

    • Image stacks

      • About image stacks

      • Create an image stack

        • Stack modes

        • Remove stack rendering

        • Edit an image stack

        • Convert an image stack

      • Use a script to create an image stack

    • 3D workflow

      • 3D features | Creative Cloud-only

      • 3D panel targets scene elements

      • Properties panel provides contextual settings

      • Move tool consolidates object and camera adjustments

      • On-image controls directly edit elements

      • Create and adjust 3D extrusions

      • Define ground planes for imported objects

      • Make paths from 3D layers

      • Merge multiple 3D layers

    • Measurement

      • About measurement

      • Set the measurement scale

        • Set measurement scale

        • Create a measurement scale preset

        • Delete a measurement scale preset

      • Use scale markers

        • Create a scale marker

        • Add or replace scale markers

        • Delete a scale marker

      • Perform a measurement

        • Measurement data points

        • Create a data point preset

        • Edit a data point preset

        • Delete a data point preset

      • Use the Measurement Log

        • Display the Measurement Log

        • Select rows in the log

        • Select columns in the log

        • Reorder, resize, or sort columns in the log

        • Delete rows or columns from the log

        • Export Measurement Log data

    • DICOM files

      • About DICOM files

      • Open a DICOM file

      • Create a 3D volume from DICOM frames

        • View a 3D volume from different angles

        • View a 3D volume in different render modes

      • Export DICOM frames as JPEG files

      • DICOM metadata

      • Animate DICOM files

    • Photoshop and MATLAB

      • About Photoshop and MATLAB

      • Set up MATLAB and Photoshop

        • Install the MATLAB Plug-in

        • For 64-bit systems, install the appropriate compiler

        • Verify MATLAB integration

        • (Optional) Set access to Photoshop from MATLAB

      • Connect/disconnect to Photoshop from MATLAB

      • Using MATLAB Help

      • MATLAB commands

      • Create a document in MATLAB

        • New document attributes and defaults

    • Count objects in an image

      • Manually count items in an image

      • Automatic counting using a selection

    • Combine and convert 3D objects

      • Combine 3D objects

      • Combine 3D and 2D layers

        • Hide layers for better performance

      • Convert a 3D layer to a 2D layer

      • Convert a 3D layer to a Smart Object

    • 3D texture editing

      • Edit a texture in 2D format

      • Display or hide a texture

      • Create UV overlays

      • Reparameterize a texture map

      • Create a tile for a repeating texture

    • 3D panel settings

      • 3D panel overview

        • Display the 3D panel

        • Filter the 3D options displayed

        • Show or hide a 3D mesh or light

        • Access settings for the 3D scene

        • Access settings for a mesh, material, or light

        • Expand or collapse materials for a mesh

        • View the ground plane

        • Show or hide light guides

        • Outline the selected material or mesh in the document window

      • 3D Scene settings

        • View cross sections

        • Apply different render modes to each cross section

      • 3D Mesh settings

        • Show or hide a mesh

        • Manipulate individual meshes

      • 3D Materials settings

        • Sample and apply materials directly on objects

        • Select materials directly on objects

        • Apply, save, or load material presets

        • Create a texture map

        • Load a texture map

        • Create a bump texture map

        • Open a texture map for editing

        • Delete a texture map

        • Edit texture properties

      • 3D Lights settings

        • Add or delete individual lights

        • Adjust light properties

        • Position lights

        • Add light guides

        • Save, replace, or add groups of lights

  • Chapter 21: Color Management

    • Understanding color management

      • Why colors sometimes don’t match

      • What is a color management system?

      • Do you need color management?

      • Creating a viewing environment for color management

    • Keeping colors consistent

      • About color management in Adobe applications

      • Basic steps for producing consistent color

      • Synchronize color settings across Adobe applications

      • Set up color management

      • Change the appearance of CMYK black (Illustrator, InDesign)

      • Managing process and spot colors

    • Color settings

      • Customize color settings

      • About color working spaces

      • Working space options

      • About missing and mismatched color profiles

      • Color management policy options

      • Color conversion options

      • Advanced controls in Photoshop

    • Work with color profiles

      • About color profiles

      • About monitor calibration and characterization

      • Calibrate and profile your monitor

      • Install a color profile

      • Embed a color profile

      • Embed a color profile (Acrobat)

      • Changing the color profile for a document

      • Assign or remove a color profile (Illustrator, Photoshop)

      • Assign or remove a color profile (InDesign)

      • Convert document colors to another profile (Photoshop)

      • Convert document colors to Multichannel, Device Link, or Abstract color profiles (Photoshop)

      • Convert document colors to another profile (Acrobat)

    • Color-managing documents for online viewing

      • Color-managing documents for online viewing

      • Color-managing PDFs for online viewing

      • Color-managing HTML documents for online viewing

    • Color-managing documents when printing

      • About color profiles

      • About monitor calibration and characterization

      • Calibrate and profile your monitor

      • Install a color profile

      • Embed a color profile

      • Embed a color profile (Acrobat)

      • Changing the color profile for a document

      • Assign or remove a color profile (Illustrator, Photoshop)

      • Assign or remove a color profile (InDesign)

      • Convert document colors to another profile (Photoshop)

      • Convert document colors to Multichannel, Device Link, or Abstract color profiles (Photoshop)

      • Convert document colors to another profile (Acrobat)

    • Color-managing imported images

      • Color-managing imported images (Illustrator, InDesign)

      • Using a safe CMYK workflow

      • Preparing imported graphics for color management

      • View or change profiles for imported bitmap images (InDesign)

    • Proofing colors

      • About soft-proofing colors

      • Soft-proof colors

      • Save or load a custom proof setup (Photoshop, InDesign)

      • Soft-proof colors (Acrobat)

Tài liệu cùng người dùng

Tài liệu liên quan