Grammar of the edit

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Grammar of the edit

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... and Edit Categories The Cut The Dissolve The Wipe The Fade The Five Major Categories of Edit Types The Action Edit The Screen Position Edit The Form Edit The Concept Edit The Combined Edit 75... gathered together for the duration of the post-production editing process The medium of choice depends on the method of editing and the physical devices used to perform the edits If you are using... Michele Cronin, for presenting me with the wonderful opportunity to write the second edition of this time honored text, Grammar of the Edit Of course, this would not be possible without the ground

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Mục lục

  • Front Cover

  • Grammar of the Edit

  • Copyright Page

  • Contents

  • Acknowledgments

  • Introduction

  • Chapter One – Editing Basics

    • A Little Editing History

    • What Factors May Impact Your Editing Choices?

    • The Basic Edit Transitions

    • Stages of the Editing Process

    • End of Chapter One Review

  • Chapter Two – Understanding the Footage

    • Basic Shot Types

    • Shot Descriptions

      • Extreme Close-Up (XCU or ECU)

      • Big Close-Up (BCU)

      • Close-Up (CU)

      • Medium Close-Up (MCU)

      • Medium Shot (MS)

      • Medium Long Shot (MLS)

      • Long Shot/Wide Shot (LS/WS)

      • Very Long Shot (VLS)

      • Extreme Long Shot (XLS/ELS)

      • Two-Shot (2-Shot/2S)

      • Over-the-Shoulder Shot (OTS/OSS)

    • Increasing Shot Complexity

    • Simple Shots

    • Complex Shots

    • Developing Shots

    • Reviewing the Footage — Selecting the Best Shots

    • What Could Make or Break a Shot?

    • Focus

    • Audio Quality

    • Exposure and Color Temperature

    • Framing and Composition

    • Screen Direction

    • 180 Degree Rule/Axis of Action

    • 30 Degree Rule

    • Matching Angles

    • Matching Eye-Line

    • Continuity of Action

    • Continuity of Dialogue

    • Performance

    • Be Familiar with All of the Footage

    • So How Does All of This Help You?

    • End of Chapter Two Review

  • Chapter Three – When to Cut and Why?

    • What Factors Help Make a Transition a Good Edit?

    • Information

    • Motivation

    • Shot Composition

    • Camera Angle

    • Continuity

      • Continuity of Content

      • Continuity of Movement

      • Continuity of Position

      • Continuity of Sound

    • Sound

    • Is There a Right or Wrong Reason for a Cut?

    • End of Chapter Three Review

  • Chapter Four – Transitions and Edit Categories

    • The Cut

    • The Dissolve

    • The Wipe

    • The Fade

    • The Five Major Categories of Edit Types

      • The Action Edit

      • The Screen Position Edit

      • The Form Edit

      • The Concept Edit

      • The Combined Edit

    • Will I Be Quizzed on Any of This?

    • End of Chapter Four Review

  • Chapter Five – General Practices for Editors

    • Sound and Vision are Partners and not Rivals

    • A New Shot Should Contain New Information

    • There Should Be a Reason for Every Edit

    • Observe the Action Line

    • Select the Appropriate Form of Edit

    • The Better the Edit, the Less It Is Noticed

    • Editing Is Creating

    • End of Chapter Five Review

  • Chapter Six – Working Practices

    • End of Chapter Six Review

  • Chapter Seven – The Final Cut: Additional Editing Topics You Are Bound to Encounter

    • Additional Editing Terms

      • Parallel Editing

      • Montage

      • Multi-camera Editing

      • Sync Sound and Counting Time

    • Making Your Way into the World of Editing

      • Tools vs. Skills

    • Digital Workflow

    • The Role of an Assistant Editor

    • In Conclusion

    • End of Chapter Seven Review

  • Glossary

    • A

    • B

    • C

    • D

    • E

    • F

    • G

    • H

    • I

    • J

    • K

    • L

    • M

    • N

    • O

    • P

    • R

    • S

    • T

    • U

    • V

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    • Z

  • Index

    • A

    • B

    • C

    • D

    • E

    • F

    • G

    • H

    • I

    • J

    • K

    • L

    • M

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    • R

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    • U

    • V

    • W

    • X

    • Z

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