Contemporary American Playwrights - Tina Howe
Contemporary American Playwrights - Tina Howe
... Charles Ludlam and Kenneth Contemporary American playwrights 1Philip C. Kolin and Colby H. Kullman, Speaking on Stage: Interviews with Contemporary American Playwrights (Tuscaloosa, AL ), ... plays and test them on scep-tical teenage audiences. Tina Howe grew up in a financially and intellectually privileged envi-ronment. Her grandfather was a Pulitzer Prize-winning author, herfather ... institutional changes – theemergence of O - and Off-Off-Broadway – facilitated the careers of playwrights for whom experimentation was a primary objective, play-wrights who no longer expected to address...
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Cambridge.University.Press.Contemporary.American.Playwrights.Feb.2000.pdf
... as he has remarked,John Guare CONTEMPORARY AMERICAN PLAYWRIGHTS Beginning in the cafés, lofts and small spaces of Off-Off-Broadway,and continuing in the Off-Broadway and regional theatres of ... Inthis study Christopher Bigsby explores the works and influences often contemporary American playwrights: John Guare, Tina Howe, Tony Kushner, Emily Mann, Richard Nelson, Marsha Norman,David Rabe, ... the pontiff. Into this scene intrude Billy Einhorn, Artie’sone-time friend and now a Hollywood producer, and his twenty-two-year-old girlfriend, Corrinna Stroller. Artie’s son, Ronnie, meanwhile,plans...
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Contemporary American Playwrights - David Rabe
... years later, by which time it had become a sub-stantial one-act drama. It was a further three or four years, however, Contemporary American playwrights grandchildren. We learn that Ozzie’s ... a deeper anxiety just as male camaraderieproves self-limiting and ambiguous. The scatological language, the lin- Contemporary American playwrights logic to the events, though a logic born ... fast-congealing myths of the contemporary world by reference to classical myths. But where theOpen Theatre and the Performance Group stressed the physicality of Contemporary American playwrights slightly...
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Contemporary American Playwrights - Emily Mann
... the trau-matic effect’.3Distilled, however, the monologues, ‘found their own Contemporary American playwrights 3Kathleen Betsko and Rachel Koenig, Interviews With Contemporary Women Playwrights ... experi-ence of war; Emily Mann does not. Annulla objects to Brecht seeing Contemporary American playwrights mother’s comments, remarking that the interview has ‘gone by so fast’.She, however, ... Mann herself chose to call a ‘theatre of testi-mony’. But this literal trial is presented in the context of the wider com- Contemporary American playwrights decision to go to Minnesota and...
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Contemporary American Playwrights - John Guare
... the Off-Broadway and Off-Off-Broadwaymovement of the s Guare’s prospects, along with those of so manyother writers, would not have been bright. He regarded these as per- Contemporary American ... what strikes one most is the calm air, the Contemporary American playwrights illness, to Amos Mason, now a successful politician and would-be presi-dential candidate. And so the taint of corruption ... are not,in short, born to live for ever and that the journey on which we go is sol- Contemporary American playwrights from those they would redeem with the force of their convictions andthe...
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Contemporary American Playwrights - Lanford Wilson
... - - - - , scrut. Inscrut.Ah. , ah. Inscruta – ble. - - , ble. Inscrutable. Inscrutable: - - - - - - - - - - , inscrutable’ (p. ). At that moment, Cynthia, dressed in arobe, wanders past them ... fromDelia, begins tore-enact that linguistic collapse that had preceded herhospitalisation: ‘Inscrutable. In. - , in, Scrut. - - - - , scrut. Inscrut.Ah. , ah. Inscruta – ble. - - , ble. Inscrutable. ... find them-selves and from which they seem alienated, linguistically and sociallywithdrawn. Contemporary American playwrights 6David Savran, In Their Own Words: Contemporary American Playwrights...
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Contemporary American Playwrights - Marsha Norman
... invisibil-ity, initially foregrounding the spacial or organizational role of architec-ture in a set representing an isolated middle-class or lower-middle-class Contemporary American playwrights ... itself. Characters obligingly spell out the philosoph-ical implications of their remarks. The stage is studded with symbolic Contemporary American playwrights Mother, thereby dramatising its centrality ... you define the various parame-ters of what’s possible for you, these are all things with which Mother is con-nected. She is the absolute source of self-respect and self-image and curiosityand...
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Contemporary American Playwrights - Paula Vogel
... consciousness and behaviour of figures who them-selves lack substance.The play is divided into what Bauer describes as forty-nine ‘takes’,with four- to five-second black-outs between each take, the structurereflecting ... interest in a movie-of-the-weekdrama about child-molesting.’ She wished, rather, ‘to see if audienceswill allow themselves to find this erotic; otherwise, they only see victim-ization without ... Waltz, was staged in , it was hertwenty-second.She herself has said that she dates her career from , when she sent Contemporary American playwrights 2San Francisco Examiner and Chronicle,(...
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Contemporary American Playwrights - Richard Nelson
... Fo’splay, would find a working-class audience. Indeed Max’s commitment ispaper-thin, no more than a series of postures, slogans and pieties, ridi- Contemporary American playwrights strangely unrelated ... metatheatrical piece. It is in part a play about play-making, amyth about myth-making, a fiction about the construction of fictions. Contemporary American playwrights boastful boosterism. America was ... changing loy-alties, on the need for self-justification represented as dispassionatejudgement, on the subjective nature of history and the uses to which we Contemporary American playwrights ambiguous...
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Contemporary American Playwrights - Tony Kushner
... thesituation of the African -American in America, who had him- or herselfalways acted as a defining opposite, he significantly recalled a passage Contemporary American playwrights be ‘the ideological ... the age of Ronald Reagan, himself an image,for many gay Americans, of something more than disregard and con- Contemporary American playwrights Asked what he wanted audiences to derive from ... received as a playwright do, perhaps,threaten to incorpo- Contemporary American playwrights Not the least of the ironies of the play, however, lies in the fact thatthe characters to whom we...
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