Contemporary American Playwrights - Marsha Norman
Contemporary American Playwrights - Marsha Norman
... mother straightforward. For one it is a mystery, for Marsha Norman 9 Marsha Norman, ’night Mother (New York, ), p. . Marsha Norman Emily Mann speaks of the tendency of women to ... different eti-1Kathleen Betsko and Rachel Koenig, Interviews with Contemporary Women Playwrights (New York,), p. .2David Savran, In Their Own Words: Contemporary American Playwrights ... the asso- Contemporary American playwrights house in the United States.’ Commenting on the prevalence of consu-mer products she further remarks that the ‘mythical “uniqueness” of theAmerican...
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Cambridge.University.Press.Contemporary.American.Playwrights.Feb.2000.pdf
... thesituation of the African -American in America, who had him- or herselfalways acted as a defining opposite, he significantly recalled a passage Contemporary American playwrights from Toni Morrison’s ... moral exu-berance. Overstatement is your friend’ (Plays,p.). As if to justify this Contemporary American playwrights she asks whether Pat Buchanan, conservative candidate for the American ... separate, the goo must almostbut not quite completely successfully threaten the always-discernible-yet-imper-iled imposed order A good play I think should always feel as though it’s onlybarely...
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Contemporary American Playwrights - David Rabe
... blindness. Contemporary American playwrights 4David Rabe, The Basic Training of Pavlo Hummel and Sticks and Bones (New York, ), p. xvi.5David Savran, In Their Own Words: Contemporary American Playwrights ... fast-congealing myths of the contemporary world by reference to classical myths. But where theOpen Theatre and the Performance Group stressed the physicality of Contemporary American playwrights (Basic ... with a lan-guage that cannot bear the weight. Thus, when Sal insists that ‘the oldways are the best ways’ (p. ), when he speaks of ‘loyalty’, he is refer-ring, Mamet-like, not to American...
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Contemporary American Playwrights - Emily Mann
... the trau-matic effect’.3Distilled, however, the monologues, ‘found their own Contemporary American playwrights 3Kathleen Betsko and Rachel Koenig, Interviews With Contemporary Women Playwrights ... experi-ence of war; Emily Mann does not. Annulla objects to Brecht seeing Contemporary American playwrights A jury, then, is asked to decide on fact and responsibility yet it is simul-taneously ... our reac-tion to it. Our awareness that we are dealing with fact rather than fictionfreights our responses with pity, guilt, horror, despair which may or may Contemporary American playwrights having...
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Contemporary American Playwrights - John Guare
... the Off-Broadway and Off-Off-Broadwaymovement of the s Guare’s prospects, along with those of so manyother writers, would not have been bright. He regarded these as per- Contemporary American ... an earth-quake which undermines the archaeological dig, thereby offering a cor-relative of the fragile foundations of their relationship. Past, present and Contemporary American playwrights future ... ever and that the journey on which we go is sol- Contemporary American playwrights John GuareJohn Guare is something of a paradox in the American theatre. He hasbeen writing plays...
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Contemporary American Playwrights - Lanford Wilson
... - - - - , scrut. Inscrut.Ah. , ah. Inscruta – ble. - - , ble. Inscrutable. Inscrutable: - - - - - - - - - - , inscrutable’ (p. ). At that moment, Cynthia, dressed in arobe, wanders past them ... fromDelia, begins tore-enact that linguistic collapse that had preceded herhospitalisation: ‘Inscrutable. In. - , in, Scrut. - - - - , scrut. Inscrut.Ah. , ah. Inscruta – ble. - - , ble. Inscrutable. ... two voices, two sen-sibilities finding their way towards harmony. It is, as the play’s narratorand central character remarks, ‘a waltz, one-two-three, one-two-three; ano-holds-barred romantic...
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Contemporary American Playwrights - Paula Vogel
... consciousness and behaviour of figures who them-selves lack substance.The play is divided into what Bauer describes as forty-nine ‘takes’,with four- to five-second black-outs between each take, the structurereflecting ... their shared endea-vour sustaining them even as, one by one, they slip from the story, dyingoffstage, appropriately enough during a series of black-outs. Contemporary American playwrights Vogel ... which, paradoxically, given herinstruction, ends in a black-out. The play, like Bauer’s, is suffused with Contemporary American playwrights 8Paula Vogel, The Baltimore Waltz and Other Plays...
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Contemporary American Playwrights - Richard Nelson
... changing loy-alties, on the need for self-justification represented as dispassionatejudgement, on the subjective nature of history and the uses to which we Contemporary American playwrights Governor ... metatheatrical piece. It is in part a play about play-making, amyth about myth-making, a fiction about the construction of fictions. Contemporary American playwrights But it is also a play about the ... naiveties. Told that his father, a lawyer and jour- Contemporary American playwrights direction or principles. And if that is the case in post-revolutionaryAmerica, for Nelson it is even more...
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Contemporary American Playwrights - Tina Howe
... as they make their way through Contemporary American playwrights seems to have survived the years, by her nurse-housekeeper and by thathousekeeper’s foul-mouthed and insolent son, an intrusion ... It is as if she had suddenly decided totake on America. She even includes an African -American and aMexican -American, breaking out of her previous commitment toWASP characters. Yet this journey ... stunningly attractive and deeply self-regarding. The house in whichthey live when they marry embodies the hermetic and suffocating values Contemporary American playwrights their separate meals...
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Contemporary American Playwrights - Tony Kushner
... thesituation of the African -American in America, who had him- or herselfalways acted as a defining opposite, he significantly recalled a passage Contemporary American playwrights which he likens ... the age of Ronald Reagan, himself an image,for many gay Americans, of something more than disregard and con- Contemporary American playwrights tempt, Millennium Approaches fuses together ... spec-tacular, celestial vision I did it because I needed comfort’ (Vorlicky,Tony Kushner,p.).A play which was by no means clear in Kushner’s mind when he Contemporary American playwrights launched...
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