Contemporary American Playwrights - John Guare

... the Off-Broadway and Off-Off-Broadway movement of the s Guare s prospects, along with those of so many other writers, would not have been bright. He regarded these as per-  Contemporary American ... popularity this was not quite the case. 9  Contemporary American playwrights 8 John Guare, ‘Author’s Note’, Marco Polo Sings a Solo (New York, ), p. . 9 John Guare, Rich and Famous (New York, ), ...   John Guare John Guare is something of a paradox in the American theatre. He has been writing plays for forty years, more than thirty of them profession- ally. His work has...

Cambridge.University.Press.Contemporary.American.Playwrights.Feb.2000.pdf

... in printed format ISBN 0-5 2 1-6 610 8-0 hardbackISBN 0-5 2 1-6 680 7-7 paperbackISBN 0-5 1 1-0 334 0-0 eBookChristopher Bigsby 20042000(Adobe Reader)©ContentsPrefacepagevii John Guare Tina HoweTony ... Off-Broadway and Off-Off-Broadwaymovement of the s Guare s prospects, along with those of so manyother writers, would not have been bright. He regarded these as per- Contemporary American playwrights forming ... blank CONTEMPORARY AMERICAN PLAYWRIGHTSBeginning in the cafés, lofts and small spaces of Off-Off-Broadway,and continuing in the Off-Broadway and regional theatres of thes, s and s, new American...

Contemporary American Playwrights - David Rabe

...  Contemporary American playwrights 4 David Rabe, The Basic Training of Pavlo Hummel and Sticks and Bones (New York, ), p. xvi. 5 David Savran, In Their Own Words: Contemporary American Playwrights ... fast-congealing myths of the contemporary world by reference to classical myths. But where the Open Theatre and the Performance Group stressed the physicality of  Contemporary American playwrights ... a  Contemporary American playwrights product of myth, an angel of death summoned into existence by Pavlo’s need. He is a device for pulling together discrete incidents, as are the mil- itary...

Contemporary American Playwrights - Emily Mann

... the trau- matic eﬀect’. 3 Distilled, however, the monologues, ‘found their own  Contemporary American playwrights 3 Kathleen Betsko and Rachel Koenig, Interviews With Contemporary Women Playwrights ... by the resulting tran- script that she wished toturn it intoa play. This desire, in turn, led toher Emily Mann  1 David Savran, In Their Own Words: Contemporary American Playwrights (New York, ... language. (Testimonies,p.)  Contemporary American playwrights 2 Emily Mann, Testimonies: Four Plays (New York, ), p. . And so a European story becomes an American story: not the revelation...

Contemporary American Playwrights - Lanford Wilson

... ﬁnd them- selves and from which they seem alienated, linguistically and socially withdrawn.  Contemporary American playwrights 6 David Savran, In Their Own Words: Contemporary American Playwrights ... recalled by signatures on the apart- ment walls, mementoes of one-night stands, passing contacts. At times  Contemporary American playwrights 2 Lanford Wilson, Twenty-One Short Plays (Newbury, VT, ... At a  Contemporary American playwrights time when an Artaud-inﬂuenced theatre was de-emphasising language he created a bruised lyricism, a poetry generated out of the inarticula- cies of...

Contemporary American Playwrights - Marsha Norman

... diﬀerent eti-  1 Kathleen Betsko and Rachel Koenig, Interviews with Contemporary Women Playwrights (New York, ), p. . 2 David Savran, In Their Own Words: Contemporary American Playwrights ... to talk to her mother about the things which most  Contemporary American playwrights 5 Enoch Brater, ed., Feminine Focus: The New Women Playwrights (Oxford, ), p. . concern her, not ... of  Contemporary American playwrights relative luxury as a prostitute and the certainty of relative poverty as a dish washer in a nearby restaurant. Neither action would seem to repre- sent...

Contemporary American Playwrights - Paula Vogel

... spectrum of African -American dramatists. We import our political plays about race; we import our plays about history. We will not do Richard Nelson or John Guare s history plays. It’s frus- trating.’ ... consciousness and behaviour of figures who them- selves lack substance. The play is divided into what Bauer describes as forty-nine ‘takes’, with four- to five-second black-outs between each take, the structure ... their shared endea- vour sustaining them even as, one by one, they slip from the story, dying offstage, appropriately enough during a series of black-outs.  Contemporary American playwrights Vogel...

Contemporary American Playwrights - Richard Nelson

... play, would find a working-class audience. Indeed Max’s commitment is paper-thin, no more than a series of postures, slogans and pieties, ridi-  Contemporary American playwrights culed by the ... metatheatrical piece. It is in part a play about play-making, a myth about myth-making, a fiction about the construction of fictions.  Contemporary American playwrights But it is also a play about the ... fate of American utopianism, a utopianism marked by inter- nal contradiction. Using a familiar American story (itself derived from a German original), set at the time of the birth of the American...

Contemporary American Playwrights - Tina Howe

... Charles Ludlam and Kenneth  Contemporary American playwrights 1 Philip C. Kolin and Colby H. Kullman, Speaking on Stage: Interviews with Contemporary American Playwrights (Tuscaloosa, AL ), ... institutional changes – the emergence of O - and Off-Off-Broadway – facilitated the careers of playwrights for whom experimentation was a primary objective, playwrights who no longer expected to address ... offered, as well as by her own agent. As she  Contemporary American playwrights 4 Kathleen Betsko and Rachel Koenig, Interviews with Contemporary Women Playwrights (New York, ), p. . complained,...

Contemporary American Playwrights - Tony Kushner

... situation of the African -American in America, who had him- or herself always acted as a deﬁning opposite, he signiﬁcantly recalled a passage  Contemporary American playwrights from Toni Morrison’s ... moral exu- berance. Overstatement is your friend’ (Plays,p.). As if to justify this  Contemporary American playwrights she asks whether Pat Buchanan, conservative candidate for the American ... separate, the goo must almost but not quite completely successfully threaten the always-discernible-yet-imper- iled imposed order ...A good play I think should always feel as though it’s only barely...

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