Contemporary American Playwrights - David Rabe
Contemporary American Playwrights - David Rabe
... Contemporary American playwrights 4 David Rabe, The Basic Training of Pavlo Hummel and Sticks and Bones (New York, ), p. xvi. 5 David Savran, In Their Own Words: Contemporary American Playwrights ... the entrance of David and a ser- geant major, the latter offering a Pinteresque blend of politeness and aggression as he delivers David like an express package. Indeed, his David Rabe language ... Joe Papp chose to enclose an expla- nation of the play in the opening-night programme: David Rabe s utilization of primitive Greek myth interwoven with contempo- rary bloodletting does call upon...
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Cambridge.University.Press.Contemporary.American.Playwrights.Feb.2000.pdf
... Africahttp://www.cambridge.orgFirst published in printed format ISBN 0-5 2 1-6 610 8-0 hardbackISBN 0-5 2 1-6 680 7-7 paperbackISBN 0-5 1 1-0 334 0-0 eBookChristopher Bigsby 20042000(Adobe Reader)©ContentsPrefacepageviiJohn ... blank CONTEMPORARY AMERICAN PLAYWRIGHTSBeginning in the cafés, lofts and small spaces of Off-Off-Broadway,and continuing in the Off-Broadway and regional theatres of thes, s and s, new American ... Off-Broadway and Off-Off-Broadwaymovement of the s Guare’s prospects, along with those of so manyother writers, would not have been bright. He regarded these as per- Contemporary American playwrights forming...
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Contemporary American Playwrights - Emily Mann
... the trau- matic effect’. 3 Distilled, however, the monologues, ‘found their own Contemporary American playwrights 3 Kathleen Betsko and Rachel Koenig, Interviews With Contemporary Women Playwrights ... by the resulting tran- script that she wished toturn it intoa play. This desire, in turn, led toher Emily Mann 1 David Savran, In Their Own Words: Contemporary American Playwrights (New York, ... language. (Testimonies,p.) Contemporary American playwrights 2 Emily Mann, Testimonies: Four Plays (New York, ), p. . And so a European story becomes an American story: not the revelation...
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Contemporary American Playwrights - John Guare
... Playwright’s Art: Conversations with Contemporary American Dramatists (New Brunswick, NJ, ), p. . 4 David Savran, In Their Own Words: Contemporary American Playwrights (New York, ), pp. ... the Off-Broadway and Off-Off-Broadway movement of the s Guare’s prospects, along with those of so many other writers, would not have been bright. He regarded these as per- Contemporary American ... to two of his great-uncles toured with their own stock company, producing such plays as Pawn Ticket and The Old Toll House. Contemporary American playwrights 2 Anne Cattaneo,...
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Contemporary American Playwrights - Lanford Wilson
... find them- selves and from which they seem alienated, linguistically and socially withdrawn. Contemporary American playwrights 6 David Savran, In Their Own Words: Contemporary American Playwrights ... recalled by signatures on the apart- ment walls, mementoes of one-night stands, passing contacts. At times Contemporary American playwrights 2 Lanford Wilson, Twenty-One Short Plays (Newbury, VT, ... At a Contemporary American playwrights time when an Artaud-influenced theatre was de-emphasising language he created a bruised lyricism, a poetry generated out of the inarticula- cies of...
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Contemporary American Playwrights - Marsha Norman
... different eti- 1 Kathleen Betsko and Rachel Koenig, Interviews with Contemporary Women Playwrights (New York, ), p. . 2 David Savran, In Their Own Words: Contemporary American Playwrights ... to talk to her mother about the things which most Contemporary American playwrights 5 Enoch Brater, ed., Feminine Focus: The New Women Playwrights (Oxford, ), p. . concern her, not ... of Contemporary American playwrights relative luxury as a prostitute and the certainty of relative poverty as a dish washer in a nearby restaurant. Neither action would seem to repre- sent...
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Contemporary American Playwrights - Paula Vogel
... consciousness and behaviour of figures who them- selves lack substance. The play is divided into what Bauer describes as forty-nine ‘takes’, with four- to five-second black-outs between each take, the structure ... their shared endea- vour sustaining them even as, one by one, they slip from the story, dying offstage, appropriately enough during a series of black-outs. Contemporary American playwrights Vogel ... and Cornell, where she taught playwriting and won a national Contemporary American playwrights 5 Laurie Winer, ‘Paula Vogel’, Mirabella, (June ). prize for Meg, a play about the daughter...
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Contemporary American Playwrights - Richard Nelson
... play, would find a working-class audience. Indeed Max’s commitment is paper-thin, no more than a series of postures, slogans and pieties, ridi- Contemporary American playwrights culed by the ... metatheatrical piece. It is in part a play about play-making, a myth about myth-making, a fiction about the construction of fictions. Contemporary American playwrights But it is also a play about the ... and having the central character address the audience directly. 1 David Savran, In Their Own Words: Contemporary American Playwrights (New York, ), p. . Had his career started a decade...
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Contemporary American Playwrights - Tina Howe
... Charles Ludlam and Kenneth Contemporary American playwrights 1 Philip C. Kolin and Colby H. Kullman, Speaking on Stage: Interviews with Contemporary American Playwrights (Tuscaloosa, AL ), ... institutional changes – the emergence of O - and Off-Off-Broadway – facilitated the careers of playwrights for whom experimentation was a primary objective, play- wrights who no longer expected to address ... offered, as well as by her own agent. As she Contemporary American playwrights 4 Kathleen Betsko and Rachel Koenig, Interviews with Contemporary Women Playwrights (New York, ), p. . complained,...
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Contemporary American Playwrights - Tony Kushner
... situation of the African -American in America, who had him- or herself always acted as a defining opposite, he significantly recalled a passage Contemporary American playwrights from Toni Morrison’s ... moral exu- berance. Overstatement is your friend’ (Plays,p.). As if to justify this Contemporary American playwrights she asks whether Pat Buchanan, conservative candidate for the American ... separate, the goo must almost but not quite completely successfully threaten the always-discernible-yet-imper- iled imposed order ...A good play I think should always feel as though it’s only barely...
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