Writing the short film 3th - Part 10

... perch on the open parapets. Imagine a pile of the feathers he’s gathered and the ways he invents to play with them—trying to make them float, keeping them up with his breath, pasting them onto ... briefly describes a full scene—ideally a scene that furthers the action. 56 Writing the Short Film Ch05.qxd 9/27/04 6:04 PM Page 56 The writing of a story outline often begins with collecting ... behind him when they set out and—above all!—to be sure not to fly up toward the sun. Its rays would surely melt the wax that holds their wings together. They help one another tie them on. A winged...

Writing the short film 3th - Part 9

... Situation at the Beginning of the Script? The shorter the film or video is to be, the more license is given the scriptwriter to plunge right into the middle of things. In this case, because the film ... true for the short film in relation to the feature film as it is for the short story in relation to the novel. But unlike novels and short stories, which are meant to be read, narrative film and ... antagonist—again, whether the antagonist is another character, a man-made disaster, a force of nature, or simply an aspect of the protagonist’s own character. The more there is at stake, the more dramatic—in...

Writing the short film 3th - Part 11

... this story is set apart by its setting, the specific moral dilemma faced by the protagonist during the escape, and the ambivalence of the outcome. The main challenges in writing the script would ... under close guard. Therefore, the prison and his captors are the antagonists. What is the protagonist’s situation at the beginning of the script? The time is 1862, early in the Civil War. Dedalus ... to the climax? The ending? During the two men’s descent down the high outside wall of the mansion, footsteps can be heard approaching in the yard below. The youth loses his nerve and freezes. The...

Writing the short film 3th - Part 12

... a short scriptby Pat Cooper, one of the coauthors of this book, in first-draft and then inrewrite form. The script is called “Annie’s Flight,” and its protagonist is a70 Writing the Short Film ... for screenwriting in general, it is particularly so for the short screenplay and for dialogue in the short screenplay. To illustrate the process of “saying much in little,” here is the opening ... yourself off to the kind of place in which such a per-son might spend time and listen carefully to conversation around you. In the short script The Lady in Waiting, the authentic-sounding and...

Writing the short film 3th - Part 13

... THE RATIONALE BEHIND THE CHANGES The father’s inner action is to get the mother to tell the child about the divorcewithout his having to be present, while the mother’s is to ensure that they ... debate on the part of the responding character; a pause withina speech indicates some kind of struggle or debate on the part of the charac-ter who is speaking.In rethinking the structure of the ... specific74 Writing the Short Film Ch06.qxd 9/27/04 6:05 PM Page 74and authentic story material, rather than the lifeless copies of copies thatmake for hackwork. To write an original short screenplay,...

Writing the short film 3th - Part 14

... 81Mark the crises, ending with the climax. Cut out each of these episodes,however short. Lay the pieces out in their current order on a table or the floor, and then begin to shuffle them about. ... concise. Give us only the descriptive information we need as weneed it, and introduce details as the audience would come upon them inviewing the film. 82 Writing the Short Film Ch07.qxd 9/27/04 ... Kane, The Big Sleep andUnforgiven, these films are features, in which there is plenty of scope to pulloff changes in feeling-tone without disorienting or even alienating the viewer. Still, if the...

Writing the short film 3th - Part 15

... 91Whether the character succeeds in the conflict, as in The Tortoise and the Hare,” or fails, as in The Snows of Kilimanjaro,” it is the struggle to overcome the barriers that is the fabric of the ... factor the age of the new student. What if the new student in the local high school is 40 years old,and he is joining a class full of 14-year-olds? The key here is that there is com-fort for the ... characters other than protago-nists or antagonists, and to good effect. The greater the number of polaritiesin the story, the greater the conflict and the resulting interest to the reader,listener,...

Writing the short film 3th - Part 16

... confine the film to the prepara-tions for the march and the aftermath. The scenes should clarify the relationship by highlighting the sense of trust on the part of the wife, and the planning and ... protagonist’sfate fulfills the audience’s fantasy—to get a refund—and, consequently, the audience will accept not only the premise but also the fate of the fall guy.98 Writing the Short Film Ch08.qxd ... a report on the part of the husband. The gov-ernment-controlled media—state radio, television, and newspapers—should be omnipresent. It may be necessary to embody the state in anothercharacter—a...

Writing the short film 3th - Part 17

... or her goal. The success of one character and the failure of the other linksdirectly to the advancement of the plot. 106 Writing the Short Film Ch09.qxd 9/27/04 6:07 PM Page 106 Scenes tend ... considerable. Film can also offer the writer the power ofmovement. Not only does the camera record the motions of people, but 102 Writing the Short Film Ch09.qxd 9/27/04 6:07 PM Page 102 editing ... have the character or another character comment onthis particular obsession.In film, on the other hand, we have the option of showing characters try-ing on one set of clothing after another....

Writing the short film 3th - Part 18

... to the writer of the short film include the docudrama, the “mockumentary,” the comedy, the satire, the fable, the morality tale, the journey, and the event or ritual occasion.114 Writing the Short ... school they might assess their status based on the number of mem-bers of the opposite sex who greet them or attend to them. They like totalk in class. They make dates to talk more. They make ... referred to as genres the framing devices of the gangster film, melodrama, film noir or the horror film, and so forth. Thisdevice isn’t as useful in the short film because many of these story forms...

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