Adobe Photoshop CS2 Photographers’ Guide phần 7 potx
Adobe Photoshop CS2 Photographers’ Guide phần 7 potx
... the effect in Photoshop. 1. Start with a photo that has plenty of reds, greens, and blues, like the oneshown in Figure 7. 25. Adobe Photoshop CS2: Photographers’ Guide2 46Figure 7. 25 This photo ... like Figure 7. 24. Adobe Photoshop CS2: Photographers’ Guide2 44Figure 7. 24 A faded photo of an old Roman bridge wassalvaged by combining channels and applying a sepia tone.Figure 7. 23 This “antique” ... Figure 7. 4. Adobe Photoshop CS2: Photographers’ Guide2 32Figure 7. 3 The various components of this photo are easyto discern in full color.Figure 7. 4 Converted to grayscale using Photoshop s...
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Adobe Photoshop CS2 Photographers’ Guide phần 1 potx
... to 75 0mm, plus a 105mm macro close-uplens. In addition, five or six of my film camera lenses also can be used with mydigital SLR. Adobe Photoshop CS2: Photographers’ Guide1 6Yet, even as Photoshop ... But once Photoshop became a cross-platform toolavailable to both the Macs that were dominant in the graphics and photographic Adobe Photoshop CS2: Photographers’ Guide6 Figure 1.3 Photoshop soriginal ... filters.Using third-party add-ons like those from Andromeda or Alien Skin, Photoshop Adobe Photoshop CS2: Photographers’ Guide1 2I’ve tried to make your job easier by relegating all the boring parts...
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Adobe Photoshop CS2 Photographers’ Guide phần 6 potx
... through the center of the cones represents pure white, while the Adobe Photoshop CS2: Photographers’ Guide1 94Extracting the Kitten Photoshop includes several tools specifically designed to help ... pressingAlt/Option + Ctrl/Command + X. The dialog box shown in Figure 5.43 willappear. Adobe Photoshop CS2: Photographers’ Guide1 76 Figure 5.43 The Extractcommand lets you removeobjects from theirbackgrounds.3. ... land-scape that has been made considerably greener using this dialog box. Adobe Photoshop CS2: Photographers’ Guide2 06Figure 6.21 Photoshop sHue/Saturation controlbrightened the foliage in thispicture.Using...
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Adobe Photoshop CS2 Photographers’ Guide phần 2 ppt
... you’ll end up with a morevivid image, like the one shown in Figure 2. 37. Adobe Photoshop CS2: Photographers’ Guide4 2Figure 2. 37 Adjusting the saturation and hue of the imageprovides a bit more ... Figure 2.13 for the results. I’veinserted some Guides so you can see how the sides of the towernow line up. Adobe Photoshop CS2: Photographers’ Guide2 4Figure 2.10 Drag a selectionaround a distorted ... idea.I love Photoshop CS’s Lens Blur effect. It’s much more flexible than the old wayI showed you first, and can create some extraordinary looks. Adobe Photoshop CS2: Photographers’ Guide5 6Figure...
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Adobe Photoshop CS2 Photographers’ Guide phần 3 ppsx
... continuous series of focal Adobe Photoshop CS2: Photographers’ Guide5 8Figure 2. 57 Shot underincandescent illumination, thisphoto has been (partially)corrected using Photoshop sPhoto Filter ... up, showing apreview of the image, like the one shown in Figure 3.1. Adobe Photoshop CS2: Photographers’ Guide7 0Figure 3.1 Photoshop sCamera RAW filter provides awealth of options.4. If necessary, ... 25%, 50%, and 75 %. Learn to use these controls to provide theexact look you want. Often, a 100% black/white image is not the best looking one. Adobe Photoshop CS2: Photographers’ Guide8 8Figure...
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Adobe Photoshop CS2 Photographers’ Guide phần 4 ppt
... the change. The image will now look like theone shown in Figure 3. 37. Adobe Photoshop CS2: Photographers’ Guide1 00Figure 3. 37 After adjustingthe Red and Green channelsthe image will look like ... part art andpart craft. Photoshop gives all of us a fighting chance to do some decent retouch-ing, as you’ll learn in the next chapter. Adobe Photoshop CS2: Photographers’ Guide1 12Figure 3.53 ... to be framedand set on the mantel. Adobe Photoshop CS2: Photographers’ Guide1 16Figure 4.1 This basic portrait has plenty of room forimprovement.6. Use Photoshop s Brightness/Contrast controls...
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Adobe Photoshop CS2 Photographers’ Guide phần 5 pps
... theedges of the sky portions you’ve added. 7. Flatten the image, which should look like Figure 5. 27. Adobe Photoshop CS2: Photographers’ Guide1 64Figure 5. 27 Flattened and cleaned up, the finished ... create a panorama, using pre -Photoshop CS techniques (thehard way) and the Photomerge feature introduced with Photoshop CS 1.0. Adobe Photoshop CS2: Photographers’ Guide1 60Figure 5.20 Ideally, ... completely destroyed during the SpanishCivil War, and then later rebuilt. Adobe Photoshop CS2: Photographers’ Guide1 72 Figure 5. 37 Remove parts ofthe seashore to reveal themountains and valley.Figure...
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Adobe Photoshop CS2 Photographers’ Guide phần 8 ppt
... Wave and ZigZag filters atwork. Adobe Photoshop CS2: Photographers’ Guide2 86Figure 8.35 Wave (left) and ZigZag (right). Adobe Photoshop CS2: Photographers’ Guide2 64Figure 8.13 Light bouncingfrom ... the efforts of an artist with one of these plug-ins. Adobe Photoshop CS2: Photographers’ Guide2 72 Modifying Images with Photoshop s Filters Photoshop s own filters offer a wealth of special effects ... until you get theeffect you want. Figure 8. 37 shows the Crystallize and Facet filters at work. Adobe Photoshop CS2: Photographers’ Guide2 88Figure 8. 37 Crystallize (left) and Facet (right).DiffuseIf...
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Adobe Photoshop CS2 Photographers’ Guide phần 9 pps
... plug-in included with Photoshop CS and Photoshop Elements3.0 that can manipulate the unprocessed images captured by digital cameras. Adobe Photoshop CS2: Photographers’ Guide3 22Figure A.5 Use ... and cyan combine to produce all theother colors, including black. Adobe Photoshop CS2: Photographers’ Guide3 14Figure 9.11 Some Photoshop- like effects may beavailable with your printerdriver.Figure ... relationship oftones in an image using a series of 256 vertical “bars,” one Adobe Photoshop CS2: Photographers’ Guide3 30Figure A.10 The dots of a halftone simulatecontinuous tones in a printed...
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Adobe Photoshop CS2 Photographers’ Guide phần 10 pps
... filter, 274 painting filtersAngled Strokes, 276 – 277 Craquelure, 273 Dark Strokes, 273 Dry Brush, 274 Fresco, 274 – 275 overview, 271 – 272 Paint Daubs, 274 Palette Knife, 277 Pointillize, 278 – 279 Poster ... 73 74 chromatic abberation, 73 color space, 71 curves, 73 74 depth, 71 opening images, 70 71 overview, 68–69pixel size, 71 resolution, 71 settings, 72 73 support, 68–69vignetting, 73 rectangles (selecting), ... (left).drawingfiltersGraphic Pen, 278 – 279 Ink Outlines, 278 – 279 overview, 278 Sponge, 278 – 279 Sumi-e, 278 , 281selecting (Pen), 150–153Dry Brush filter, 274 dual catchlights (retouching), 1 17 118, 125–1 27 duotone prints,...
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