... effects you want. Figure 6. 21 shows an Irish land-
scape that has been made considerably greener using this dialog box.
Adobe Photoshop CS2: Photographers’ Guide2 06
Figure 6. 21 Photoshop s
Hue/Saturation ... again. Photoshop can do that
by changing some pixels that are relatively close to the color you want to increase
to that exact color.
Adobe Photoshop CS2: Photograp...
... also can be used with my
digital SLR.
Adobe Photoshop CS2: Photographers’ Guide1 6
Yet, even as Photoshop grows in features and power, the best news is that Adobe
has avoided the trap Microsoft ... But once Photoshop became a cross-platform tool
available to both the Macs that were dominant in the graphics and photographic
Adobe Photoshop CS2: Photographers’ Guide6
Fi...
... Adobe Photoshop CS2: Photographers’ Guide2 26
Figure 6. 45 Merge the center gray box with the
surrounding gray frame.
Figure 6. 46 Choose a color temperature for ... approximate the effect in Photoshop.
1. Start with a photo that has plenty of reds, greens, and blues, like the one
shown in Figure 7.25.
Adobe Photoshop CS2: Photographers’ Guide2 46
Figure 7.25 This ... p...
... idea.
I love Photoshop CS’s Lens Blur effect. It’s much more flexible than the old way
I showed you first, and can create some extraordinary looks.
Adobe Photoshop CS2: Photographers’ Guide5 6
Figure ... mammoth
telephoto lens, either. If nothing else, Photoshop helped me create a souvenir of
an exciting game.
Adobe Photoshop CS2: Photographers’ Guide3 4
Figure 2. 26 Th...
... image, this drastically
distorted image will look a little more normal.
Adobe Photoshop CS2: Photographers’ Guide6 6
Figure 2 .65 Straighten out
the vertical lines to more
closely align with the grid.
HELP ... left decreases it.
5. Click OK when finished. Figure 2 .63 shows an image being processed.
Adobe Photoshop CS2: Photographers’ Guide6 4
Figure 2 .63 Remove—or
add—vign...
... to be framed
and set on the mantel.
Adobe Photoshop CS2: Photographers’ Guide1 16
Figure 4.1 This basic portrait has plenty of room for
improvement.
6. Use Photoshop s Brightness/Contrast controls ... back-
ground lighting when I took the picture), but it’s a great improvement.
Adobe Photoshop CS2: Photographers’ Guide1 18
Figure 4 .6 After retouching, the portrait looks l...
... create a panorama, using pre -Photoshop CS techniques (the
hard way) and the Photomerge feature introduced with Photoshop CS 1.0.
Adobe Photoshop CS2: Photographers’ Guide1 60
Figure 5.20 Ideally, a ... the image at top and bottom to produce the panorama shown in
Figure 5.31.
Adobe Photoshop CS2: Photographers’ Guide1 66
Figure 5.31 Your final image will look like this...
... Wave and ZigZag filters at
work.
Adobe Photoshop CS2: Photographers’ Guide2 86
Figure 8.35 Wave (left) and ZigZag (right).
Adobe Photoshop CS2: Photographers’ Guide2 64
Figure 8.13 Light bouncing
from ... the efforts of an artist with one of these plug-ins.
Adobe Photoshop CS2: Photographers’ Guide2 72
Modifying Images with Photoshop s Filters
Photoshop s own filt...