... boundaries. Check out Figure 2. 13 for the results. I’ve
inserted some Guides so you can see how the sides of the tower
now line up.
Adobe Photoshop CS2: Photographers’ Guide2 4
Figure 2. 10 Drag a selection
around ... like the one shown in Figure 2. 37.
Adobe Photoshop CS2: Photographers’ Guide4 2
Figure 2. 37 Adjusting the saturation and hue of the image
provides a bit...
... when you’re satisfied, pro-
ducing the final image shown in Figure 4 .22 .
Adobe Photoshop CS2: Photographers’ Guide1 30
Figure 4 .21 After pasting the boy into his own layer, erase the
area around ... art and
part craft. Photoshop gives all of us a fighting chance to do some decent retouch-
ing, as you’ll learn in the next chapter.
Adobe Photoshop CS2: Photographers’ Guide1...
... Wave and ZigZag filters at
work.
Adobe Photoshop CS2: Photographers’ Guide2 86
Figure 8.35 Wave (left) and ZigZag (right).
Adobe Photoshop CS2: Photographers’ Guide2 64
Figure 8.13 Light bouncing
from ... the efforts of an artist with one of these plug-ins.
Adobe Photoshop CS2: Photographers’ Guide2 72
Modifying Images with Photoshop s Filters
Photoshop s own filter...
... also can be used with my
digital SLR.
Adobe Photoshop CS2: Photographers’ Guide1 6
Yet, even as Photoshop grows in features and power, the best news is that Adobe
has avoided the trap Microsoft ... serious photographer and more than a casual Photoshop
user, you’re ready to shift into overdrive with this book.
Adobe Photoshop CS2: Photographers’ Guide2
industries, as wel...
... image is not the best looking one.
Adobe Photoshop CS2: Photographers’ Guide8 8
Figure 3 .22 Here are six
versions of the same image
with the contrast set at 25 %,
35%, and 50% (top row), and
65%, ... continuous series of focal
Adobe Photoshop CS2: Photographers’ Guide5 8
Figure 2. 57 Shot under
incandescent illumination, this
photo has been (partially)
corrected using Phot...
... is
formed. You can continue in this way, building a gen-
tly curved line.
Adobe Photoshop CS2: Photographers’ Guide1 52
Figure 5. 12 Drawing curves with the Pen tool.
PREVIEW
Before you add an anchor ... you’ve added.
7. Flatten the image, which should look like Figure 5 .27 .
Adobe Photoshop CS2: Photographers’ Guide1 64
Figure 5 .27 Flattened and cleaned up, the finished p...
... This example is
Adobe Photoshop CS2: Photographers’ Guide1 90
WHEN ARE 32 BITS ACTUALLY 24 BITS? AND WHEN IS 32 MORE
THAN 32?
In the past, when you used Photoshop with so-called 32- bit color images, ... effects you want. Figure 6 .21 shows an Irish land-
scape that has been made considerably greener using this dialog box.
Adobe Photoshop CS2: Photographers’ Guide2 06
Fi...
... the effect in Photoshop.
1. Start with a photo that has plenty of reds, greens, and blues, like the one
shown in Figure 7 .25 .
Adobe Photoshop CS2: Photographers’ Guide2 46
Figure 7 .25 This photo ... like Figure 7 .24 .
Adobe Photoshop CS2: Photographers’ Guide2 44
Figure 7 .24 A faded photo of an old Roman bridge was
salvaged by combining channels and applying a sepia ton...