the inculturation of liturgical vocal music
Music cover, the effects of it and The attitudes of NEU’s students to Music cover in Vietnam
... newer, brings the song back to the listener with the whole new style and the performance is completely like remaining the life for the song. The cover music in Vietnam is the kind of music, which ... on the melody of the song of othercountry. Therefore, some people think the melody is stolen. For that result, they don’t like this music. There are some familiar faces, which usually cover music ... knowledge of students of Music cover, the author also asked them about the categories " ;music covers" that they know, and the answersare: 53% choose pop music; 13% choose rock music; 11%...
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Among the Great Masters of Music Scenes in the Lives of Famous Musicians pptx
... to the art gallery of that city, where it now hangs. About the middle of the eighteenth century, when the agent of Augustus III., the Elector of Saxony, was negotiating the Great Masters of Music, ... found; theywere hid under the trunk; the handkerchief lay in one of the boots; the coat in the box; and the waistcoat in the drawer of the table. Every time that Paganini had found one of his ... toward John. At the feet of St. Cecilia are scattered variousinstruments of music, a viol, cymbals, the triangle, flute, and others. They are broken, and some of the pipes of the regal held by...
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THE ROLE OF MUSIC COMMUNICATION IN CINEMA potx
... level of ambiguity inherent in the visual scene. Specifically, the more ambiguous the meaning of the visual image, the more influence is exerted by the musical score in the process of interpreting ... the relationship is invertible without changing the perceived meaning (i.e., it is equally valid to say that the music projects the meaning of the image or the image projects the meaning of ... framework. 2.2 Theoretical Evidence Richard Wagner, creator of the idealized Gesamtkunstwerk in the form of the 19th century music drama, claimed that “as pure organ of the feeling, [music] speaks...
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Music theory book david temperley the cognition of basic musical structures
... exclude aspects of Schenkerian theory (or any other music theory) from a cognitive theory of tonal music is not at all to reject ordismiss them. Rather, it is simply to maintain that their value ... intuitions (or those of another music theorist) about musical structure to represent those of a larger popula-tion of ``experienced listeners.'' Surely the hearing of music theorists hasbeen ... has had the bene®t of help and input from a number of people over a period of some six years. The early stages of the project,speci®cally the harmonic and TPC models, took shape as part of mydissertation...
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University musical encyclopedia the theory of music and piano technique (by e markham) (1912)
... sailswest,anotherto the Orient;oneexplores the legendaryseas of the silentNorth,anotherbasksin the sunnySouth;buttheyall the fantasticand the somber, the tragicand the gayfashion theirworksonsomemodel of form.28 THE THEORY OF MUSIC alorder,anotherportionissungwithoutanyfixedsuccessionorrelation of accentandisaltogetherrhythmless. The Gregorianchant ... isplainlyimpossibletogetabird's-eyeview of asymphonyas of alandscapeoracathedral.Weonlyseealittle of the tone-pictureatatime.Nosoonerisonesoundbornthanitdiesintosilence,makingroomfor the next.And the necessityfordesignandbalanceisnowheremoreimperativethanin music, whereallissofleetingandimpalpablemerevibrations of the tympanicmembrane.Imagine the impression of chaosanhour of hap- THE THEORY OF MUSIC 13orateaccompaniments.These andother casesrenderitdifficult,andsometimesimpossible,tosaytowhich of the classes mentioned the music belongs.Wehavestillaveryconvenientalternativeleft,however,whichwillgetus ... ashumanity the samethroughallgenerations. The value of a musical workisnotinits form;but the value of amusicalworkisenormouslyenhancedby the selectionon the part of the composer of thatformbestadaptedto the clearandforcibleexpressionof...
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THE DIMENSIONS OF AESTHETIC REACTIONS TO MUSIC doc
... 3. Objective-Global. Like (2), these refer to the intrinsic qualities of the music itself, but they differ in that they describe qualities of the music as a whole 16 way on a specially-designed ... large number of the other three types, especially Objective-Analytic ones; these subjects, moreover, are likely to be amongst the less musically experienced. The results of the factor ... speculate that the high proportion of Affective constructs is likely to originate from the musically naive subjects, and the high proportion of Objective-Analytic constructs from the musically...
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the ideals of instrumental music
... in the symphony is the recurrence of the opening theme of the first Allegro, the idee fixe. This,according to the program, is the obsessive image of the hero'sbeloved, thatrecurs in the ... in concert, the program would need not be given out for the music would " ;of itself, and irrespective of any dramatic aim, offer aninterest in the musical sense alone." The principle ... Romantic programs into the instrumental works not only of Beethoven, but also the likes of Mozart, Haydn, and Bach! The diffused scenic effects in the music of such composersas Mendelssohnand...
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the ideals of insturmental music
... in the symphony is the recurrence of the opening theme of the first Allegro, the idee fixe. This,according to the program, is the obsessive image of the hero's beloved,that recurs in the ... ROMANTIC MUSIC (The Arts) The ideals of instrumental music Atone point in the study of the Romantic period of music, we come upon the first of several apparently opposing ... music with deep love and insight. The conflict between the ideal of pureinstrumental music (absolute music) as the ultimate Romantic mode of expression, and the strong literary orientation of...
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A Different Story of the History of Western Music and the Aesthetic Project pdf
... art music. The rest of the composers were consequently working in the field of popular music (Edström 1998, 371). These statistics are simultaneously a good indication of the primacy of vocal music. 11 ... the exception, then of course no one would deny that the aesthetics of music has taken on awhole new meaning.VII. At the endWithin the gigantic field of music today there is a muddle of values ... Story of the History of Western Music and the Aesthetic ProjectOlle Edström© Olle Edström 2003 All rights reserved. The content of this article is the sole responsibility of the author. The ACT...
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crease s. gil evans - out of the cool. his life and music
... bandmembers stood in a row at the edge of the bandstand and peed on the dance floor the same one that they’d so carefully scraped at the beginning of the summer. The Big Rain” was what sax playerDick ... arrangements of the hits of the day, the results of his painstaking record copying, made his band a big attractionat parties. Members of the Goober Club usually came along for the ride.Bruse Ross, the ... Mulligan, GeorgexiRussell, and Miles Davis. The Miles Davis Nonet and the “Birth of the Cool” scores of the 1950s were the outcome of the nonstopmusical discussions at Evans’s place; so were...
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levin f. greek reflections of the nature of music
... philosophy of number. From the intrin-sic properties of this – the tetraktys of the decad – the sum of whose terms equals the number , there were harvested in turn the theory of irrationals, the theory ... laws of mathematics. The assumption of motion as the principle of audible phenomena, and the adduction of number as the primary element of musical pitch, thus supplied the Urstoff of the Pythagorean ... in their orbits. And because the relative pitch of any musical sound is a function of the velocity of the moving object, the pitches emitted by the planets in their courses through the ether...
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