... Elements 31 6Setting Preferences 31 8Customizing and Organizing the Work Area 32 2Histograms 32 4All about Layers 32 5Effects 32 9Selection Tools 33 0Viewing and Navigation Tools 33 4Brushes 33 6Index ... Showmenu at the top right ofthe File Browser window. To remove a flag, select the file orfiles you wish to remove the flag(s) from and select the flag icon at the top ofthe FileBrowser. 436 3_ch01_p5.qxd ... see the extensive toolbar on the left ofthe screen and the palette bin on the right. You can access Quick Fix by clicking the Quick Fix icon found to the far right ofthe shortcuts bar, in the...
... Showmenu at the top right ofthe File Browser window. To remove a flag, select the file orfiles you wish to remove the flag(s) from and select the flag icon at the top ofthe FileBrowser. 436 3_ch01_p5.qxd ... you change the size of the thumbnail displays via View in the File Browser menu bar, but you can change the size ofthe entire window by placing your cursor in the lower-right corner ofthe win-dow ... dragging the window to the desired size. To change the size of the tab items on the left side ofthe window (Folders, Preview, and Metadata), click the top, right, or bottom border and drag to the...
... wanted. 3. I placed the brush over one ofthe eyes, and then clicked and held the mousewithout moving the cursor. The Bloat tool moved pixels away from the center of the brush, effectively making the ... enlarge the pupil, or the dark part ofthe eye.To do this, simply choose a smaller brush size and apply the Bloat tool to just that area. 436 3_ch 03_ p4.qxd 10/9/04 10: 03 PM Page 72 73 ■ WHITENING ... FACES■Enhancing the ColorIt’s easy to enhance the color ofthe eyes. I use a method similar to the one I justdescribed, but instead of using the Dodge tool on the white areas ofthe eye, I use the Sponge...
... finished, he clicked the Commit button ( ) at the top of the options bar. The results are shown on the right in Figure 3. 30. 436 3_ch 03_ p4.qxd 10/9/04 10: 03 PM Page 83 78CHAPTER 3: BETTER FACES■Diminishing ... placed the cursor on the top far left ofthe image ofthe man and the horse and“painted” the new sky. I started with a horizontal stroke, going from left toright, filling in the top 33 percent of ... percent ofthe sky this wayand stopped just above the top ofthe horse and the top ofthe rock talus. Atthis point, I wasn’t very precise and some ofthe clone spilled over the horse and the rock...
... tweaked the drop shadow by using the settings shown on the left in Figure 5 .33 . The Layers palette is shown on the right. The final image is shown in Figure 5 .34 .Figure 5 .33 : These are the settings ... (See Figure 5.40.) 3. Will then used the Eraser tool ( ) to erase parts ofthe pasted label so it blend-ed nicely. The final image is shown on the right in Figure 5.40. 436 3_ch05_p4.qxd 10/10/04 ... (left). With the help of the Blur tool, the reflections are softer, more diffused (right).All I did to get the results shown on the right in Figure 5 .38 was select the Blurtool ( ) from the toolbox...
... clicking on them, and then painting the sampled areas over the cones(shown on the left in Figure 7.8). Then she sampled parts ofthe wall and the sidewalk and painted them over the sandwich ... and then changed to Hard Round5 pixels as I worked on the wire near the windowsill and the wire near the top of the roof. I chose a hard-edged brush because I wanted to keep the texture of the ... cloning the birds, I went back and fine-tuned my composite. Iused the Eraser tool to define the edges of some ofthe birds. I used a Transformcommand to slightly reduce the size of one ofthe birds...
... insertion bar in the shape of an I-beam appeared at the point of clicking. I then typed in my letters. The baseline of my type lined up with the small line through the bottom of the I-beam. The I-beam ... images there if it can’t arrange them.) I thendragged the other thumbnail representations from the lightbox to the main work area,placing each one adjacent to the next. Because parts ofthe underlying ... I made the image on the left the vanishing point. See what happens to the perspective? In an attempt to cor-rect the perspective to the new point of view, the images to the right ofthe vanishingpoint...
... include ICC color profiling.With two views of your image, one showing the original image and the othershowing the effects ofthe compression, it’s easy to compare them and choose the opti-mal setting. ... compressed the image by using the same Save forWeb setting, the file size reduced to 35 4.6KB, a savings of 44KB with no loss of impor-tant details.To push the benefits of blurring a little further, ... hence the smaller file size. The secondimage (right) contains lots of high-frequency data in the form of thin strands of hair. Ittakes a lot more work to compress this kind of data; therefore, the...
... selectivelydither a small part of an image and yet keep the other parts intact? You can, by fol-lowing these steps:1. In RGB mode, select and copy the part ofthe image to dither (Ctrl/ +C).2. Index the ... blocked the effect ofthe Levels command on the mountain and sky areas ofthe image.7. For the most part, the mask created by the Gradient tool was enough. However,I did go back into the adjustment ... chose Other from the Matte pop-up menu, and then in the Color Picker I choseFFCC 33, the hexadecimal value for my color. The selected color was displayed in the Matte box. (If you set the Matte...
... release the mouse. Then Shift+drag from the right edge ofthe middleimage about 1/2inch inward (to the left).16. Turn off the visibility ofthe middle image if necessary to see the image on the right. ... visibility ofthe top layer to see the leftmostedge ofthe middle image; do this by clicking the eye icon next to the top layer.15. On the left edge ofthe middle image, Shift+drag inward (to the ... selecting the top layer in the Layers palette and the Move tool from the toolbar. In the image window, clickand hold while dragging the image to the far left ofthe image window. Next,select the...