... understand thelyricsofthe original song and they make comparison, they mainlyrecognize that major of covered songs are not as good as the original ones. Hence, they maylook down on the musicians, ... newer, brings the song back to the listener with the whole new style and the performance is completely like remaining the life for the song. The cover music in Vietnam is the kind of music, which ... on the melody ofthe song of othercountry. Therefore, some people think the melody is stolen. For that result, they don’t like this music. There are some familiar faces, which usually cover music...
... road, with the coffin borne upon the shoulders ofthe mourners, and preceded by the priest, the Great Masters of Music, by Walter Rowlands 29His greatest fame was won in the composition of operas, ... to the art gallery of that city, where it now hangs. About the middle ofthe eighteenth century, when the agent of Augustus III., the Elector of Saxony, was negotiating the Great Masters of Music, ... found; theywere hid under the trunk; the handkerchief lay in one ofthe boots; the coat in the box; and the waistcoat in the drawer ofthe table. Every time that Paganini had found one of his...
... level of ambiguity inherent in the visual scene. Specifically, the more ambiguous the meaning ofthe visual image, the more influence is exerted by the musical score in the process of interpreting ... the relationship is invertible without changing the perceived meaning (i.e., it is equally valid to say that the music projects the meaning ofthe image or the image projects the meaning of ... framework. 2.2 Theoretical Evidence Richard Wagner, creator ofthe idealized Gesamtkunstwerk in the form ofthe 19th century music drama, claimed that “as pure organ of the feeling, [music] speaks...
... exclude aspects of Schenkerian theory (or any other music theory) from a cognitive theory of tonal music is not at all to reject ordismiss them. Rather, it is simply to maintain that their value ... intuitions (or those of another music theorist) about musical structure to represent those of a larger popula-tion of ``experienced listeners.'' Surely the hearing ofmusic theorists hasbeen ... has had the bene®t of help and input from a number of people over a period of some six years. The early stages ofthe project,speci®cally the harmonic and TPC models, took shape as part of mydissertation...
... sailswest,anotherto the Orient;oneexplores the legendaryseas of the silentNorth,anotherbasksin the sunnySouth;buttheyall the fantasticand the somber, the tragicand the gayfashion theirworksonsomemodel of form.28 THE THEORY OF MUSIC alorder,anotherportionissungwithoutanyfixedsuccessionorrelation of accentandisaltogetherrhythmless. The Gregorianchant ... isplainlyimpossibletogetabird's-eyeview of asymphonyas of alandscapeoracathedral.Weonlyseealittle of the tone-pictureatatime.Nosoonerisonesoundbornthanitdiesintosilence,makingroomfor the next.And the necessityfordesignandbalanceisnowheremoreimperativethanin music, whereallissofleetingandimpalpablemerevibrations of the tympanicmembrane.Imagine the impression of chaosanhour of hap- THE THEORY OF MUSIC 13orateaccompaniments.These andother casesrenderitdifficult,andsometimesimpossible,tosaytowhich of the classes mentioned the music belongs.Wehavestillaveryconvenientalternativeleft,however,whichwillgetus ... ashumanity the samethroughallgenerations. The value of a musical workisnotinits form;but the value of amusicalworkisenormouslyenhancedby the selectionon the part of the composer of thatformbestadaptedto the clearandforcibleexpressionof...
... descriptions.” As another company put it, the ultimate judgment call of whether the content of a recording warrants the [PAL] is made in light ofthe message and identity of the artist, the current ... page.111 The Commission’sreview of twenty of cial music albumwebsites112 revealedthatall ofthe artistshadMySpaceprolepagespromoting the albums.113 Theof cialwebsitesfor most ofthe ... however,asignicantvariationin the number of violentactswithin the PGandPG-13ratingcategories;20% ofthe PGlmsstudiedexceeded the averagenumber of violentactsin the PG-13lms,and the violencein10% ofthe PGlmsexceeded the averageamount of violencein the R-ratedlms.Moreover,atleastonequarter ofthe violentactsdepictedin...
... 3. Objective-Global. Like (2), these refer to the intrinsic qualities of the music itself, but they differ in that they describe qualities of the music as a whole 16 way on a specially-designed ... large number of the other three types, especially Objective-Analytic ones; these subjects, moreover, are likely to be amongst the less musically experienced. The results of the factor ... speculate that the high proportion of Affective constructs is likely to originate from the musically naive subjects, and the high proportion of Objective-Analytic constructs from the musically...
... through the opera, and after the opera. But they talked very quietly, and they looked behind them before they spoke. When theopera finished, the girls went back to their The directors oftheOpera ... &apos ;The ghost killed him!' The directors oftheOpera House The Opera House was famous, and the directors oftheOpera House were very important men. It was the first week of work for the ... he has the head of a dead man, with a yellow face and no nose. People hear a voice in another room, but the room is empty. It is the Phantom oftheOpera . . . 12 The Phantom ofthe Opera...
... in the symphony is the recurrence ofthe opening theme ofthe first Allegro, the idee fixe. This,according to the program, is the obsessive image ofthe hero'sbeloved, thatrecurs in the ... in concert, the program would need not be given out for the music would " ;of itself, and irrespective of any dramatic aim, offer aninterest in the musical sense alone." The principle ... Romantic programs into the instrumental works not only of Beethoven, but also the likes of Mozart, Haydn, and Bach! The diffused scenic effects in themusicof such composersas Mendelssohnand...
... in the symphony is the recurrence ofthe opening theme ofthe first Allegro, the idee fixe. This,according to the program, is the obsessive image ofthe hero's beloved,that recurs in the ... ROMANTIC MUSIC (The Arts) The ideals of instrumental music Atone point in the study ofthe Romantic period of music, we come upon the first of several apparently opposing ... music with deep love and insight. The conflict between the ideal of pureinstrumental music (absolute music) as the ultimate Romantic mode of expression, and the strong literary orientation of...