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Đây là quyển sách ,tài liệu tiếng anh về các lý thuyết âm nhạc,các thể loại,cách học cho người đam mê âm nhạc .
[...]... Cognitive Neuroscience, University of Trento, Italy and Institute of Medical Psychology and Behavioural Neurobiology, University of Tübingen, Gartenstrasse 29, 72074 Tübingen, Germany Elvira Brattico, Cognitive Brain Research Unit, Department of Psychology, P.O Box 9, FIN-00014, University of Helsinki, Finland, and Helsinki Brain Research Centre, Finland Pamela Burnard, Faculty of Education, University... contributes to maintaining the appeal to inspiration, in a strict sense, as an explaining factor A biologist might have insight into the process of discovering some new relation, but would never admit being inspired; a painter, even working in the most abstract style, would deny that what is on the canvas was somewhere before he painted it The obvious rapprochement between music composition and mathematics... inherited nature Guilford, being an expert in testing and factor analysis, developed procedures to measure creativity, and proposed the concept of divergent as opposed to convergent thinking It was assumed that a special aptitude, labelled creativity, is measurable per se The obvious fact that creativity is always in one specific domain, using a certain material, resulting in some type of product, was... cognitivist paradigm Significant in this respect is the treatment of creativity in a recently published scientific encyclopaedia: the main entry is creativity and cognition, suggesting that it is not worth talking about creativity if it is not related to cognition (other entries are on applied domains of creativity training and management of creativity) (Smelser & Baltes, 2001) Reducing creative activity to... of Helsinki, Finland, and Helsinki Brain Research Centre, Finland xiv Contributors Peter M Todd, Center for Adaptive Behaviour and Cognition, Max Planck Institute for Human Development, Lentzeallee 94, 14195 Berlin, Germany Sam Thompson, Royal College of Music, Prince Consort Road, London SW7 2BS, UK Charles Wiffen, Royal College of Music, Prince Consort Road, London SW7 2BS, UK Geraint A Wiggins, Centre... creative machines, such as computer performance, confronts us once again with the issue of the very possibility of accounting for creative behaviour in scientific terms The question is still present in current research on creativity, as it is in the equally popular domain of consciousness research: is there any continuity from elementary processes of adaptation and problem solving in animals, including humans,... variety of perspectives, methods and goals They bring together musicians of various kinds, people in (general, musical, special) education; in artificial intelligence; in philosophy, sociology, psychology, neurosciences; in psychotherapy; etc There is no hope of understanding creative behaviour by looking at it from one discipline, using a single methodological approach even within a given scientific field Hyper-experts... destination you have in mind But in Free composition (1979, originally published 1935) and elsewhere, Schenker does the opposite: he begins with the Ursatz, with the raw material of tonality, and works through to the actual music in question, detailing the successive layers of transformation in which the substance of his theory lies In this sense the theory provides a kind of “composer’s-eye view”, and. .. think of as his theory – Schenker wrote that: In the literature of music there are works that came about in such a way that within the endless chaos of fantasy the lightning flash of a thought suddenly crashed down, at once illuminating and creating the entire work in the most dazzling light Such works were conceived and received in one stroke, and the whole fate of their creation, life, growth, and. .. vocabulary articulates and so consolidates the experience of the wine on the palate, and the result is an enlarged and increasingly discriminating public for wine (which in turn gives rise to improved standards in production) And there is a further respect in which such writing acts as a model of aesthetic discourse Formally speaking, descriptions of wine of the sort I have just given set out causes from which . Cataloging in Publication Data Deliège, Irène. Musical creativity: multidisciplinary research in theory and practice / Irène Deliège and Geraint A. Wiggins.—1st. coherent and thorough exploration. Musical Creativity: Multidisciplinary Research in Theory and Practice comprises seven sections, each viewing musical creativity