64303 brain divided animated short film

Writing the short film 3th - Part 9

Writing the short film 3th - Part 9
... Beginning of the Script? The shorter the film or video is to be, the more license is given the scriptwriter to plunge right into the middle of things In this case, because the film is to be so short, ... Where?—In the case of a short script, with a simple adaptation 50 Writing the Short Film From the very beginning of the film industry, fiction and drama have proved unending sources of film stories, ... that the images of a narrative film, whether visual or aural, should, like the language of a novel or short story, serve to illuminate the tale Rust Hills, in his excellent book on writing the short...
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Writing the short film 3th - Part 10

Writing the short film 3th - Part 10
... discarded feathers from the sills of the parapets and adds them to a pile by his cot Icarus at work, trying ways to paste feathers onto his arm 58 Writing the Short Film Night Daedalus at the table, ... the boy to stay close behind him when they set out and—above all!—to be sure not to fly up toward the sun Its rays would surely melt the wax that holds their wings together They help one another ... Brueghel the Elder, The Fall of Icarus.”) At this point, we imagine the very last image of the film to be that of Icarus plunging into the sea and descending underwater in slow motion past the camera...
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Writing the short film 3th - Part 11

Writing the short film 3th - Part 11
... this story is set apart by its setting, the specific moral dilemma faced by the protagonist during the escape, and the ambivalence of the outcome The main challenges in writing the script would ... to the climax? The ending? During the two men’s descent down the high outside wall of the mansion, footsteps can be heard approaching in the yard below The youth loses his nerve and freezes The ... headquarters for the area, but that they will send him on to a prisoner-of-war camp Meanwhile, he gathers whatever information he can on their movements in long hours spent at the window and by the door...
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Writing the short film 3th - Part 12

Writing the short film 3th - Part 12
... for screenwriting in general, it is particularly so for the short screenplay and for dialogue in the short screenplay To illustrate the process of “saying much in little,” here is the opening ... AS EXPOSITION In the fourth chapter, we discussed just how much exposition was buried in the first page or so of Thelma and Louise Reading the script or viewing the film for the first time, we ... meaning For instance, in the example just given, you might respond to the line of dialogue by coming in and closing the door after you with a bang, 70 Writing the Short Film or very slowly, or...
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Writing the short film 3th - Part 13

Writing the short film 3th - Part 13
... than writing a first draft, while for others, the process can be slow and painful We aim to lessen 79 80 Writing the Short Film the pain and increase the pleasure by suggesting that you follow the ... way of one of the exercises), included a catalyst, and offered some sort of ending, even if you not yet 78 Writing the Short Film consider it to be the right one Change the order of the scenes if ... to either the interior or exterior scene FOURTEENTH ASSIGNMENT: WRITING A STORY OUTLINE FOR YOUR SCRIPT First, reread the suggestions for writing story outlines in the previous chapter Then,...
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Writing the short film 3th - Part 14

Writing the short film 3th - Part 14
... 82 Writing the Short Film Mark the crises, ending with the climax Cut out each of these episodes, however short Lay the pieces out in their current order on a table or the floor, and then begin ... discussed for the first time Or even the second! But when people take the trouble to respond as best they can to your script, they are making you a gift, and your attitude 84 Writing the Short Film should ... to one side The narrator can also read bit parts, if necessary It is best to have the actors read through the script slowly to themselves at least once to get the sense of it, before the actual...
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Writing the short film 3th - Part 15

Writing the short film 3th - Part 15
... Short Film Whether the character succeeds in the conflict, as in The Tortoise and the Hare,” or fails, as in The Snows of Kilimanjaro,” it is the struggle to overcome the barriers that is the ... play the role of the enemy As we have observed, the more forceful the antagonist in a story, the greater the struggle of the protagonist If the goal of the story is to portray heroic behavior, the ... understand, and one is the need of the teller to communicate Whether in pantomime or Elizabethan tragedy, storytellers want to communicate with others The cave painter and the short- film director may...
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Writing the short film 3th - Part 16

Writing the short film 3th - Part 16
... 96 Writing the Short Film On the other hand, if the husband is the main character, we want the story to focus on why a man has to betray his family for the state Here he may ... the relationship by highlighting the sense of trust on the part of the wife, and the planning and preparation of a report on the part of the husband The government-controlled media—state radio, ... This will unify the story around prayer It will also allow us to spotlight the land, the need to feed the local population, and the power structure in the area 100 Writing the Short Film We will...
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Writing the short film 3th - Part 17

Writing the short film 3th - Part 17
... characters The Plot Plot happens out in the world rather than inside a character The plot is the series of scenes that leads the character from dilemma to confrontation to 106 Writing the Short Film ... his or her appearance In other words, we can make the point about the obsession, and 104 Writing the Short Film if we wish, we can begin to explore the psychology of the obsession How complex ... people The visual we see is the bread knife in the hand of the main character On the sound track we lose the gossip and hear only the word “knife.” Here, sound and image together create the subjective...
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Writing the short film 3th - Part 18

Writing the short film 3th - Part 18
... available and useful to the writer of the short film include the docudrama, the “mockumentary,” the comedy, the satire, the fable, the morality tale, the journey, and the event or ritual occasion ... referred to as genres the framing devices of the gangster film, melodrama, film noir or the horror film, and so forth This device isn’t as useful in the short film because many of these story forms ... you can share with others The film gives others an insight into you: it’s a gift to them and an invitation to join with you for the length of the film experience These are the motivations for...
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Tài liệu Writing the short film 3th - Part 19 ppt

Tài liệu Writing the short film 3th - Part 19 ppt
... free writing form, but it does involve the constraints of the scale of the subject and of the attendant idea The larger the subject, the more likely that the frame of satire will be effective The ... decision for the writer considering satire is whether the target of derision merits the treatment The form works best when the target is important or wellknown, because the bigger the target, the more ... consider whether the idea can carry its moral freight Keeping this requisite in mind may help you freshen up the other narrative properties so that you avoid 118 Writing the Short Film the pitfalls...
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Tài liệu Writing the short film 3th - Part 20 docx

Tài liệu Writing the short film 3th - Part 20 docx
... observer; a second-person position places the character in the role of guide throughout the story; finally, the first-person position places the character in the middle of the narrative the story is ... 124 Writing the Short Film compelling the opening, the more likely it is that we will be engaged quickly with your story This is all the more true with a short script The opening should ... Characters in the third person may modify their goals because of what they see, but there is no direct challenge in the narrative to their goals, because they not come into contact with the other characters...
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Tài liệu Writing the short film 3th - Part 21 pdf

Tài liệu Writing the short film 3th - Part 21 pdf
... is at the very core of the dramatic idea Short films work best when the protagonist–antagonist relationship drives the plot of the screen story 132 Writing the Short Film CHARACTERIZATION The ... the Antagonist In the longer film, the relationship of the main character to the antagonist is used to create a heroic dimension in the main character The greater the adversary, the greater the ... technology, are the enemies of human beings As a group, they function as the antagonist of THX 1138 They are the masters from whom the main character is trying to escape In the plot of the film, the difficulty...
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Tài liệu Writing the short film 3th - Part 22 pptx

Tài liệu Writing the short film 3th - Part 22 pptx
... waiting They look up at the mist, and then begin to climb The purpose of the dialogue is to tell us they want to climb all the way to a peak neither can see The reference to heaven alludes to the ... five of these in the same way, as in Number For instance, in “Little Red Riding Hood” you might list the following: the red-hooded cape my mother made for me; my new patent leather shoes; the little ... provide viewers with the variety they need to interpret what is being said and seen and be stimulated by both 141 142 Writing the Short Film THE PURPOSES OF DIALOGUE Good dialogue, in the most general...
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